The "D" Reviews--See the content keys for an explanation of the numbers.
Dairy Queen, by Catherine Gilbert Murdock
*Ultimate Teen Reading List, TeenReads.com; Borders Original Voices Award; Booksense Picks for Children, Summer 2006 #1 Pick; Midwest Booksellers’ Choice Award for Children’s Literature; Great Lakes Book Award for Children’s Books; Michigan Library Association Thumbs Up! Award; Best Books 2006, School Library Journal; VOYA Review Editor’s Choice, 2006; Top-Shelf Fiction for Middle School Readers, VOYA 2006; Best Books for Young Adults, American Library Association 2007; TAYSHAS Reading List, Texas Library Association, 2007-2008; Lone Star Reading List, Texas Library Association, 2007-2008*
Why this book is worth considering:
This book is a funny, believable story of a teenage girl who learns to assert herself and pursue her interests while maintaining respect for others. The protagonist's struggles are relatable--balancing doing what she thinks her family needs with doing what she likes, coping with the discovery that other people are more complex than she thought, and learning to talk about her feelings. The overall message of this book is that it is important and worthwhile to talk about things, rather than to keep them bottled up inside. Another great aspect of this book is that the protagonist challenges gender norms (without that being her goal). Overall, this was a fun YA novel that managed to treat a lot of relevant themes in a fresh way.
Why this book may not be right for your teen:
This book has some content of concern. It features some scenes of teenage drinking, including a reference to the protagonist and her best friend getting drunk by themselves on New Year’s Eve. It also addresses homosexuality, with the protagonist’s best friend coming out to the protagonist and telling her that she has romantic feelings for her. This causes a falling out between the two friends due to the discomfort of unrequited love and the protagonist never having interacted with a gay person before. This falling out is later resolved, and overall, homosexuality is treated as something acceptable but rarely seen in the small town setting. A heterosexual romantic relationship arises between the protagonist and a male character, and they share one kiss. They also run together frequently, and the protagonist runs in just a bra. Although it doesn’t seem that either of them view this as sexual, there is reference to the fact that it could be alarming to the protagonist’s parents. There are some instances of profanity, such as "G--d--" and blasphemy. Religion is only briefly addressed. The protagonist’s family goes to church, but the protagonist does not, and there is no other religious observance in the book.
Literary artistry: * * * * *
I would suggest this book to younger teens/ older teens/ all teens/ no teens.
Author website: http://www.catherinemurdock.com
Reviewer: Emma Moore
*Ultimate Teen Reading List, TeenReads.com; Borders Original Voices Award; Booksense Picks for Children, Summer 2006 #1 Pick; Midwest Booksellers’ Choice Award for Children’s Literature; Great Lakes Book Award for Children’s Books; Michigan Library Association Thumbs Up! Award; Best Books 2006, School Library Journal; VOYA Review Editor’s Choice, 2006; Top-Shelf Fiction for Middle School Readers, VOYA 2006; Best Books for Young Adults, American Library Association 2007; TAYSHAS Reading List, Texas Library Association, 2007-2008; Lone Star Reading List, Texas Library Association, 2007-2008*
Why this book is worth considering:
This book is a funny, believable story of a teenage girl who learns to assert herself and pursue her interests while maintaining respect for others. The protagonist's struggles are relatable--balancing doing what she thinks her family needs with doing what she likes, coping with the discovery that other people are more complex than she thought, and learning to talk about her feelings. The overall message of this book is that it is important and worthwhile to talk about things, rather than to keep them bottled up inside. Another great aspect of this book is that the protagonist challenges gender norms (without that being her goal). Overall, this was a fun YA novel that managed to treat a lot of relevant themes in a fresh way.
Why this book may not be right for your teen:
This book has some content of concern. It features some scenes of teenage drinking, including a reference to the protagonist and her best friend getting drunk by themselves on New Year’s Eve. It also addresses homosexuality, with the protagonist’s best friend coming out to the protagonist and telling her that she has romantic feelings for her. This causes a falling out between the two friends due to the discomfort of unrequited love and the protagonist never having interacted with a gay person before. This falling out is later resolved, and overall, homosexuality is treated as something acceptable but rarely seen in the small town setting. A heterosexual romantic relationship arises between the protagonist and a male character, and they share one kiss. They also run together frequently, and the protagonist runs in just a bra. Although it doesn’t seem that either of them view this as sexual, there is reference to the fact that it could be alarming to the protagonist’s parents. There are some instances of profanity, such as "G--d--" and blasphemy. Religion is only briefly addressed. The protagonist’s family goes to church, but the protagonist does not, and there is no other religious observance in the book.
Literary artistry: * * * * *
I would suggest this book to younger teens/ older teens/ all teens/ no teens.
Author website: http://www.catherinemurdock.com
Reviewer: Emma Moore
Dance of the Red Death, by Bethany Griffin (Red Death Saga, book 2)
After reading the entirety of Masque of the Red Death, I could not read its sequel with the same care. It is simply too dark for me. Such stories tend to haunt my mind and oppress my spirit. Instead, as a compromise with my policy to review entire series, I skimmed Dance enough to make some general comments about it. Where Masque is dark, edgy, and tragic, Dance is even more so--a constant barrage of death, murder, violence, and fear. Even the setting of the fictional city and nearby swamp and palace are places of darkness and destruction.
This is not to say that the book is poorly written. It is true that from a literary perspective, I have a couple of problems with it (for example, the story does not explain clearly how the city's inhabitants survive amidst such disease and destruction and why no one ever leaves). From what I could tell by skimming it, though, Dance is just as well-constructed as Masque, and it is fast-paced with plenty of excitement. The language and sexual/romantic content are similar to the first book, and I did not come across anything new about religion. Because of the dark nature of the story, there is little humor to lighten the mood. Instead, the author used a heavy dose of romance and hope to add glimmers of light. For some readers this will be enough to make Dance a fun and memorable read. For me it was depressing and oppressive. With that in mind, I feel it is important to know your teen's personality and temperament before approving this novel.
I would suggest this book to: younger teens / older teens / all teens / no teens.
Author website: http://www.bethanygriffin.com/
Reviewer: Cheri Blomquist
After reading the entirety of Masque of the Red Death, I could not read its sequel with the same care. It is simply too dark for me. Such stories tend to haunt my mind and oppress my spirit. Instead, as a compromise with my policy to review entire series, I skimmed Dance enough to make some general comments about it. Where Masque is dark, edgy, and tragic, Dance is even more so--a constant barrage of death, murder, violence, and fear. Even the setting of the fictional city and nearby swamp and palace are places of darkness and destruction.
This is not to say that the book is poorly written. It is true that from a literary perspective, I have a couple of problems with it (for example, the story does not explain clearly how the city's inhabitants survive amidst such disease and destruction and why no one ever leaves). From what I could tell by skimming it, though, Dance is just as well-constructed as Masque, and it is fast-paced with plenty of excitement. The language and sexual/romantic content are similar to the first book, and I did not come across anything new about religion. Because of the dark nature of the story, there is little humor to lighten the mood. Instead, the author used a heavy dose of romance and hope to add glimmers of light. For some readers this will be enough to make Dance a fun and memorable read. For me it was depressing and oppressive. With that in mind, I feel it is important to know your teen's personality and temperament before approving this novel.
I would suggest this book to: younger teens / older teens / all teens / no teens.
Author website: http://www.bethanygriffin.com/
Reviewer: Cheri Blomquist
See the content keys for an explanation of the numbers.
Darkness Be My Friend, by John Marsden (Tomorrow series, book 4)
*Notable Book, CBCA Children's Book of the Year Award: Older Readers 1997*
Core themes: war; friendship; courage; self-respect; dealing with the death of a friend and loved ones; coming to terms with killing of others
Drugs/alcohol: Ellie gets drunk at a party; all the teens drink together after a close call, during which two of the boys get “totally wasted”
Religion/occult: Ellie talks about God occasionally, usually praying when she is frightened.
Romance/sexuality: 1, 2, 3, 5
Violence/abuse: Ellie and her friends go back to the war zone. As in previous books, there are a lot of deaths, shootings, car accidents, and attempted sabotage. Lee describes how his parents were shot in front of his siblings. Lee also finds Corrie’s grave
Vulgarities: 1, 4 (the latter is very mild)
Literary artistry: * * * * *
Comments: Early in this book, Ellie gets drunk at a party and allows a young man to take advantage of her because she “couldn’t be bothered to stop him.” Later, she is ashamed. For the rest of the book, she almost seems to be trying to prove to herself she is a worthy person. At the end of the book, there is a scene in which she and Lee reignite their physical relationship but she doesn’t want to sleep with him again. She decides later it’s because she doesn’t feel like she deserves it, doesn’t deserve to feel good.
I would suggest this book to: younger teens / older teens / all teens / no teens.
Author website: http://www.johnmarsden.com.au/
Reviewer: Jill Papsdorf
*Notable Book, CBCA Children's Book of the Year Award: Older Readers 1997*
Core themes: war; friendship; courage; self-respect; dealing with the death of a friend and loved ones; coming to terms with killing of others
Drugs/alcohol: Ellie gets drunk at a party; all the teens drink together after a close call, during which two of the boys get “totally wasted”
Religion/occult: Ellie talks about God occasionally, usually praying when she is frightened.
Romance/sexuality: 1, 2, 3, 5
Violence/abuse: Ellie and her friends go back to the war zone. As in previous books, there are a lot of deaths, shootings, car accidents, and attempted sabotage. Lee describes how his parents were shot in front of his siblings. Lee also finds Corrie’s grave
Vulgarities: 1, 4 (the latter is very mild)
Literary artistry: * * * * *
Comments: Early in this book, Ellie gets drunk at a party and allows a young man to take advantage of her because she “couldn’t be bothered to stop him.” Later, she is ashamed. For the rest of the book, she almost seems to be trying to prove to herself she is a worthy person. At the end of the book, there is a scene in which she and Lee reignite their physical relationship but she doesn’t want to sleep with him again. She decides later it’s because she doesn’t feel like she deserves it, doesn’t deserve to feel good.
I would suggest this book to: younger teens / older teens / all teens / no teens.
Author website: http://www.johnmarsden.com.au/
Reviewer: Jill Papsdorf
See the content keys for an explanation of the numbers.
Dead End in Norvelt, by Jack Gantos (Norvelt series, book 1)
*2012 Newbery Award; Scott O'Dell Award for Historical Fiction*
Core themes: the importance of valuing and learning from history; coming to terms with the concept of death; the reconstruction of post-WWII America
Drugs/alcohol: brief reference to a supporting, pre-teen girl smoking
Religion/occult: occasional references to Christianity concerning things that would have been familiar to most Americans of this time period (such as going to church on Sunday); a major character boldly states that with 4000 religions in the world, all are equally valid
Romance/sexuality: none
Violence/abuse: slightly humorous but graphic descriptions of dead people in the local mortuary; references/descriptions of several violent historical events; a house is burned down by the Hells Angels motorcycle gang (no one harmed); a number of rodents and other vermin are killed by poison
Vulgarities: 1 -- Note: It is possible that I should add #7, as well. The protagonist's pet expression of dismay is "Cheezus" and "Cheezus crust." Though it is technically intended to replace the blasphemous counterpart, his parents at one point scold him for substituting a fake curse for the real thing, saying that the substitute is just as rude. For some readers this substitute may be too close to the real thing for comfort.
Literary artistry: * * * * *
Comments: Although I gave this book four stars for craftsmanship and although it won two major awards, I wasn't crazy about the story. Aside from a couple of plot points that bugged me (too minor to discuss here), the central subject of the novel was death--the death of people and the death of a town--which made it kind of a morbid read. For many readers this won't be a turn-off, especially since the book is generally lighthearted, even in the way it approaches the subject of death. The characters are generally appealing, and it's a nice change to read a story that includes major characters who are elderly. Even for readers who don't enjoy reading much about death, though, the novel may be appealing simply because of the humor and zany characters. As juvenile novels go, there is nothing of major concern for cautious parents (other than the religious reference described above about 4000 religions being equal, perhaps), but readers who have traumatic experiences with death may need to approach it with a little caution.
I would suggest this book to: younger teens / older teens / all teens / no teens.
Author website: http://www.jackgantos.com/
Reviewer: Cheri Blomquist
*2012 Newbery Award; Scott O'Dell Award for Historical Fiction*
Core themes: the importance of valuing and learning from history; coming to terms with the concept of death; the reconstruction of post-WWII America
Drugs/alcohol: brief reference to a supporting, pre-teen girl smoking
Religion/occult: occasional references to Christianity concerning things that would have been familiar to most Americans of this time period (such as going to church on Sunday); a major character boldly states that with 4000 religions in the world, all are equally valid
Romance/sexuality: none
Violence/abuse: slightly humorous but graphic descriptions of dead people in the local mortuary; references/descriptions of several violent historical events; a house is burned down by the Hells Angels motorcycle gang (no one harmed); a number of rodents and other vermin are killed by poison
Vulgarities: 1 -- Note: It is possible that I should add #7, as well. The protagonist's pet expression of dismay is "Cheezus" and "Cheezus crust." Though it is technically intended to replace the blasphemous counterpart, his parents at one point scold him for substituting a fake curse for the real thing, saying that the substitute is just as rude. For some readers this substitute may be too close to the real thing for comfort.
Literary artistry: * * * * *
Comments: Although I gave this book four stars for craftsmanship and although it won two major awards, I wasn't crazy about the story. Aside from a couple of plot points that bugged me (too minor to discuss here), the central subject of the novel was death--the death of people and the death of a town--which made it kind of a morbid read. For many readers this won't be a turn-off, especially since the book is generally lighthearted, even in the way it approaches the subject of death. The characters are generally appealing, and it's a nice change to read a story that includes major characters who are elderly. Even for readers who don't enjoy reading much about death, though, the novel may be appealing simply because of the humor and zany characters. As juvenile novels go, there is nothing of major concern for cautious parents (other than the religious reference described above about 4000 religions being equal, perhaps), but readers who have traumatic experiences with death may need to approach it with a little caution.
I would suggest this book to: younger teens / older teens / all teens / no teens.
Author website: http://www.jackgantos.com/
Reviewer: Cheri Blomquist
See the content keys for an explanation of the numbers.
The Dead Girls Detective Agency, by Suzy Cox
Core themes: friendship, discovery of truth, reflection on how you lived your life
Drugs/alcohol: one ghost smokes cigarettes occasionally
Religion/occult: concept of limbo until girl's murder is solved; a few instances of possession of the Living to help solve the case (done in a humorous fashion)
Romance/sexuality: 1
Violence/abuse: victim pushed under a subway train –- no graphic descriptions
Vulgarities: 1, 3, 4 –- infrequent
Literary artistry: * * * * *
Comments: The premise of this story is unique. With all the supernatural fiction out there, this is the first time I have come across dead teen detectives. While the title and concept of the story sound a bit grim, I found the book to be more along the lines of slightly edgy Disney. The breezy sarcasm is light-hearted and funny at times. Surprisingly, the best dialogue comes at the end of the book –- just in time to set up a sequel.
I would suggest this book to: younger teens / older teens / all teens / no teens.
Author website: none
Reviewer: Sabrina Holland
Core themes: friendship, discovery of truth, reflection on how you lived your life
Drugs/alcohol: one ghost smokes cigarettes occasionally
Religion/occult: concept of limbo until girl's murder is solved; a few instances of possession of the Living to help solve the case (done in a humorous fashion)
Romance/sexuality: 1
Violence/abuse: victim pushed under a subway train –- no graphic descriptions
Vulgarities: 1, 3, 4 –- infrequent
Literary artistry: * * * * *
Comments: The premise of this story is unique. With all the supernatural fiction out there, this is the first time I have come across dead teen detectives. While the title and concept of the story sound a bit grim, I found the book to be more along the lines of slightly edgy Disney. The breezy sarcasm is light-hearted and funny at times. Surprisingly, the best dialogue comes at the end of the book –- just in time to set up a sequel.
I would suggest this book to: younger teens / older teens / all teens / no teens.
Author website: none
Reviewer: Sabrina Holland
See the content keys for an explanation of the numbers.
The Dead of Night, by John Marsden (Tomorrow series, book 2)
Core themes: war; how being violent changes people; good and evil; death of a friend
Drugs/alcohol: cigarettes (one teen, invading soldiers, memory of grandfather); grog (alcohol) consumed by one member of the remaining teens; talking about homebrewed alcohol
Religion/occult: Robyn tells the story of the Fiery Furnace to explain her faith in God despite their situation; use of a church steeple as a place from which to spy
Romance/sexuality: 1, 2, 3, 4
Violence/abuse: recounting violence of first book in series; slashing wrists; smoke bomb; mistreatment of citizens at hospital; recounting of suicide attempts and one murder, also insinuation of a rape of a prisoner; guards beating people; desire to kill the invading soldiers; soldiers shot at close range; killing injured soldiers they cannot save and cannot allow to survive; an attack with cocktail bombs on a convoy; a brutal ambush in the field and massacre on a camp by soldiers, including rape; hitting soldier with a rock; insinuating a soldier intended to rape one of the teens; gas explosions with timers; being actively tracked by planes, helicopters, and search parties; descriptions of dead animals on farms; friend found after accident (perhaps while drinking) and lingering injuries that eventually killed him
Vulgarities: 1, 3, 4
Literary artistry: * * * * *
Comments: This book is more violent than the first and includes violence at close range (like knifing someone to death). There are also the first descriptions of the bodies of soldiers harmed or killed by the teens, some of which are graphic. Much of the violence, however, is still merely recounted. The teens hear how prisoners are suffering, but they do not see it and it is not graphically shown.
They discover a group of adults who are acting like heroes but do nothing of value. Though the teens are at first relieved at finding the adults, they soon learn the adults, and particularly the leader, are reckless. They are suckered into an ambush that leads directly to the massacre of the remaining adults at the camp; the teens barely escape with their lives. This part could be construed as derogatory towards adults, but I think it’s more likely the author wants to show the teens becoming guerilla warriors despite their desires, struggling against becoming monsters who ruthlessly kill.
Ellie and Lee’s relationship is consummated in this book which is probably not surprising given the genre. One of the comments is that a friend of hers wants the same kind of physical relationship with another boy just because she is jealous of what Ellie has.
While the others are away, Chris breaks into a mansion to steal alcohol and ends up mortally injured in a car accident, perhaps caused by driving while drunk. His death and body are described quite graphically but Ellie wonders how the actions of Chris caused his own death, and how the actions (or inaction) of the others contributed as well.
I would suggest this book to: younger teens / older teens / all teens / no teens.
Author website: http://www.johnmarsden.com.au/
Reviewer: Jill Papsdorf
Core themes: war; how being violent changes people; good and evil; death of a friend
Drugs/alcohol: cigarettes (one teen, invading soldiers, memory of grandfather); grog (alcohol) consumed by one member of the remaining teens; talking about homebrewed alcohol
Religion/occult: Robyn tells the story of the Fiery Furnace to explain her faith in God despite their situation; use of a church steeple as a place from which to spy
Romance/sexuality: 1, 2, 3, 4
Violence/abuse: recounting violence of first book in series; slashing wrists; smoke bomb; mistreatment of citizens at hospital; recounting of suicide attempts and one murder, also insinuation of a rape of a prisoner; guards beating people; desire to kill the invading soldiers; soldiers shot at close range; killing injured soldiers they cannot save and cannot allow to survive; an attack with cocktail bombs on a convoy; a brutal ambush in the field and massacre on a camp by soldiers, including rape; hitting soldier with a rock; insinuating a soldier intended to rape one of the teens; gas explosions with timers; being actively tracked by planes, helicopters, and search parties; descriptions of dead animals on farms; friend found after accident (perhaps while drinking) and lingering injuries that eventually killed him
Vulgarities: 1, 3, 4
Literary artistry: * * * * *
Comments: This book is more violent than the first and includes violence at close range (like knifing someone to death). There are also the first descriptions of the bodies of soldiers harmed or killed by the teens, some of which are graphic. Much of the violence, however, is still merely recounted. The teens hear how prisoners are suffering, but they do not see it and it is not graphically shown.
They discover a group of adults who are acting like heroes but do nothing of value. Though the teens are at first relieved at finding the adults, they soon learn the adults, and particularly the leader, are reckless. They are suckered into an ambush that leads directly to the massacre of the remaining adults at the camp; the teens barely escape with their lives. This part could be construed as derogatory towards adults, but I think it’s more likely the author wants to show the teens becoming guerilla warriors despite their desires, struggling against becoming monsters who ruthlessly kill.
Ellie and Lee’s relationship is consummated in this book which is probably not surprising given the genre. One of the comments is that a friend of hers wants the same kind of physical relationship with another boy just because she is jealous of what Ellie has.
While the others are away, Chris breaks into a mansion to steal alcohol and ends up mortally injured in a car accident, perhaps caused by driving while drunk. His death and body are described quite graphically but Ellie wonders how the actions of Chris caused his own death, and how the actions (or inaction) of the others contributed as well.
I would suggest this book to: younger teens / older teens / all teens / no teens.
Author website: http://www.johnmarsden.com.au/
Reviewer: Jill Papsdorf
Dear Evan Hansen: The Novel, by Val Emmich with Steven Levenson, Benj Pasek, and Justin Paul
*NYT Bestseller, USA Today Bestseller, Wall Street Journal Bestseller, Indie Bound Bestseller*
Why this book is worth considering:
This novel is unusual in that it is based on the Broadway hit musical of the same name, rather than the other way around. If you loved and approved of the musical, then the novel may be a good choice for your teen reader. Its themes of teenage loneliness, suicide, and the importance of truth are also timely and important, especially in today's digital world. It may be a good choice for opening discussions on mental health and the importance of reaching out to those who seem marginalized or hurting. The last couple of of chapters of the novel are particularly compelling and worth reading, as they deal with healing and forgiveness.
Why this book may not be right for your teen:
I didn't enjoy this novel at all until the last couple of chapters, when it took on a power that I found poignant and meaningful. In fact, I read the book as quickly as I could until that point. The actions of Evan, the protagonist, were nauseatingly horrifying, and the whole story--up to the end--was deeply disturbing. True, this was probably the intended effect, and it would have been worth it if the novel as a whole wasn't so spiritually desolate. God is entirely absent with only humanistic ideas and answers to fill in that gaping hole. For non-believers, this may seem right and sufficient, but for those who understand God as the answer to what the characters are searching for, the novel is more profoundly sad than what the writers probably intended. To me, the last couple of chapters were thought-provoking in a partly positive way, but the rest of the novel was worth reading only for the purpose of understanding contemporary teenage struggles.
Parents interested in this novel should be aware that teen suicide is a major theme, and the novel has a fair amount of vulgar language, sexual references, and swearing (including blasphemy). There are some references to prescription drugs and recreational drinking. Also, characters engage in light romance but no sex or graphic kissing; however, there is are several scenes that seem to imply male homosexual intimacy and love. The ambiguity may have been intended for the purpose of pointing out how any meaningful friendship (romantic or not) can impact a teen's mental health, but I am not sure. Parents and other adults are generally presented as caring but largely clueless about their teens' authentic selves, which may be realistic but unsettling to parents of teen readers.
Literary artistry: * * * * *
I would suggest this book to younger teens/ older teens/ all teens/ no teens.
Author website: https://valemmich.com/deh-the-novel
Reviewer: Cheri Blomquist
*NYT Bestseller, USA Today Bestseller, Wall Street Journal Bestseller, Indie Bound Bestseller*
Why this book is worth considering:
This novel is unusual in that it is based on the Broadway hit musical of the same name, rather than the other way around. If you loved and approved of the musical, then the novel may be a good choice for your teen reader. Its themes of teenage loneliness, suicide, and the importance of truth are also timely and important, especially in today's digital world. It may be a good choice for opening discussions on mental health and the importance of reaching out to those who seem marginalized or hurting. The last couple of of chapters of the novel are particularly compelling and worth reading, as they deal with healing and forgiveness.
Why this book may not be right for your teen:
I didn't enjoy this novel at all until the last couple of chapters, when it took on a power that I found poignant and meaningful. In fact, I read the book as quickly as I could until that point. The actions of Evan, the protagonist, were nauseatingly horrifying, and the whole story--up to the end--was deeply disturbing. True, this was probably the intended effect, and it would have been worth it if the novel as a whole wasn't so spiritually desolate. God is entirely absent with only humanistic ideas and answers to fill in that gaping hole. For non-believers, this may seem right and sufficient, but for those who understand God as the answer to what the characters are searching for, the novel is more profoundly sad than what the writers probably intended. To me, the last couple of chapters were thought-provoking in a partly positive way, but the rest of the novel was worth reading only for the purpose of understanding contemporary teenage struggles.
Parents interested in this novel should be aware that teen suicide is a major theme, and the novel has a fair amount of vulgar language, sexual references, and swearing (including blasphemy). There are some references to prescription drugs and recreational drinking. Also, characters engage in light romance but no sex or graphic kissing; however, there is are several scenes that seem to imply male homosexual intimacy and love. The ambiguity may have been intended for the purpose of pointing out how any meaningful friendship (romantic or not) can impact a teen's mental health, but I am not sure. Parents and other adults are generally presented as caring but largely clueless about their teens' authentic selves, which may be realistic but unsettling to parents of teen readers.
Literary artistry: * * * * *
I would suggest this book to younger teens/ older teens/ all teens/ no teens.
Author website: https://valemmich.com/deh-the-novel
Reviewer: Cheri Blomquist
Dear Haiti, Love Alaine: A Novel, by Maika Moulite and Maritza Moulite
*Top 10 Debut Novels Collection, Apple Books; Favorite Books of 2019, National Public Radio; Recommended Award Winner 2020, Parents' Choice Foundation; 2021 Best Fiction for Young Adults List, American Library Association; Summer/Fall 2019 Indies Introduce, American Booksellers Association (ABA); The Fall 2019 Kids’ Indie Next List, ABA; September Book Club Pick, Well-Read Black Girl; October Book Club Pick, For Colored Girls Book Club; “Best of 2019” Teen List, Indigo*
Why this book is worth considering:
For those looking for something both fresh, modern, and clean, this may be just right. Well-written in a linear style that is also atypical in format (told in journals, letters, emails, etc.), the novel takes readers from upscale America to Haiti, immersing them in Haitian culture through the eyes of an Haitian-American teen girl. What struck me most in terms of parental concerns is that the novel contains no vulgar language (or so little that I missed it), and the protagonist is both real and decent--the kind of girl I might like to know, rather than one whose story I follow in fascinated disgust (which is all too often the case in YA novels). Religion is downplayed but has Catholic overtones, because the protagonist attends a Catholic girls' school, and Haiti is predominantly Catholic (at least in the novel); however, it is presented without snark or blasphemy. For those with an interest in or connection to chronic illness, Alzheimer's does play an important role in the novel.
I will be honest and say that I didn't really enjoy the novel that much, partly because the piecemeal formatting was difficult for me to follow (although it was well-done and creative) and partly because the story just wasn't the kind that appeals to me. However, parents could make far worse selections for their teens than this one, especially if they are looking for something racially diverse without being in-your-face "woke".
Why this book may not be right for your teen:
With all that said, there are a couple reasons parents may want to be cautious about this novel. First, a family curse is at the heart of this novel, and the protagonist becomes heavily involved with trying to break it. Also, those sensitive to religion may be uncomfortable with the way Catholicism and paganism are mixed and with the important role that pagan superstitions and rituals play in the story. The novel also has a death and a pregnancy out of wedlock (not the protagonist's).
Literary artistry: * * * * *
I would suggest this book to younger teens/ older teens/ all teens/ no teens.
Author website: https://www.maikaandmaritza.com/
Reviewer: Cheri Blomquist
*Top 10 Debut Novels Collection, Apple Books; Favorite Books of 2019, National Public Radio; Recommended Award Winner 2020, Parents' Choice Foundation; 2021 Best Fiction for Young Adults List, American Library Association; Summer/Fall 2019 Indies Introduce, American Booksellers Association (ABA); The Fall 2019 Kids’ Indie Next List, ABA; September Book Club Pick, Well-Read Black Girl; October Book Club Pick, For Colored Girls Book Club; “Best of 2019” Teen List, Indigo*
Why this book is worth considering:
For those looking for something both fresh, modern, and clean, this may be just right. Well-written in a linear style that is also atypical in format (told in journals, letters, emails, etc.), the novel takes readers from upscale America to Haiti, immersing them in Haitian culture through the eyes of an Haitian-American teen girl. What struck me most in terms of parental concerns is that the novel contains no vulgar language (or so little that I missed it), and the protagonist is both real and decent--the kind of girl I might like to know, rather than one whose story I follow in fascinated disgust (which is all too often the case in YA novels). Religion is downplayed but has Catholic overtones, because the protagonist attends a Catholic girls' school, and Haiti is predominantly Catholic (at least in the novel); however, it is presented without snark or blasphemy. For those with an interest in or connection to chronic illness, Alzheimer's does play an important role in the novel.
I will be honest and say that I didn't really enjoy the novel that much, partly because the piecemeal formatting was difficult for me to follow (although it was well-done and creative) and partly because the story just wasn't the kind that appeals to me. However, parents could make far worse selections for their teens than this one, especially if they are looking for something racially diverse without being in-your-face "woke".
Why this book may not be right for your teen:
With all that said, there are a couple reasons parents may want to be cautious about this novel. First, a family curse is at the heart of this novel, and the protagonist becomes heavily involved with trying to break it. Also, those sensitive to religion may be uncomfortable with the way Catholicism and paganism are mixed and with the important role that pagan superstitions and rituals play in the story. The novel also has a death and a pregnancy out of wedlock (not the protagonist's).
Literary artistry: * * * * *
I would suggest this book to younger teens/ older teens/ all teens/ no teens.
Author website: https://www.maikaandmaritza.com/
Reviewer: Cheri Blomquist
Dear Martin, by Nic Stone
Why this book is worth considering:
Although I don't often read race-centered novels and picked this one up mainly because of the Martin Luther King, Jr. angle, I found myself completely enthralled by this short novel. Stone has a gift for realistic, compelling dialogue that made the characters seem powerfully real. And even though I can't relate to the protagonist at all, I liked him and wanted him to triumph. The issues brought up by the novel are important for teens of all races to discuss. As a Caucasian-American myself, it was good for me to read the novel simply because it challenged me to examine my own conscience for deep-down prejudices.
Why this book may not be right for your teen:
As much as I enjoyed this novel and feel it is a valuable addition to YA literature, the plot is a bit predictable with some characters that seem stock or stereotyped. It also brought up some troubling questions that Stone never addresses. If it wasn't for her strong writing, these flaws would kill the novel for me. Also, parents need to know that this novel has a lot of profanity, both mild and strong. I do not recall any blasphemy, which is something I always notice, but if there is any, it isn't much. The novel also features some violence (including a murder), teen drinking, and light romance. References to religion and sex are infrequent and mild.
Literary artistry: * * * * *
I would suggest this book to younger teens/ older teens/ all teens/ no teens.
Author website: http://www.nicstone.info/
Reviewer: Cheri Blomquist
Why this book is worth considering:
Although I don't often read race-centered novels and picked this one up mainly because of the Martin Luther King, Jr. angle, I found myself completely enthralled by this short novel. Stone has a gift for realistic, compelling dialogue that made the characters seem powerfully real. And even though I can't relate to the protagonist at all, I liked him and wanted him to triumph. The issues brought up by the novel are important for teens of all races to discuss. As a Caucasian-American myself, it was good for me to read the novel simply because it challenged me to examine my own conscience for deep-down prejudices.
Why this book may not be right for your teen:
As much as I enjoyed this novel and feel it is a valuable addition to YA literature, the plot is a bit predictable with some characters that seem stock or stereotyped. It also brought up some troubling questions that Stone never addresses. If it wasn't for her strong writing, these flaws would kill the novel for me. Also, parents need to know that this novel has a lot of profanity, both mild and strong. I do not recall any blasphemy, which is something I always notice, but if there is any, it isn't much. The novel also features some violence (including a murder), teen drinking, and light romance. References to religion and sex are infrequent and mild.
Literary artistry: * * * * *
I would suggest this book to younger teens/ older teens/ all teens/ no teens.
Author website: http://www.nicstone.info/
Reviewer: Cheri Blomquist
See the content keys for an explanation of the numbers.
Death Cloud, by Andrew Lane (Sherlock Holmes: The Legend Begins, Book 1)
Core themes: self-discovery, revenge, justice
Drugs/alcohol: Sherlock being drugged with laudanum (opium); some adult drinking
Religion/occult: none
Romance/sexuality: none
Violence/abuse: several scenes involving some fist-fighting and sword-play--what you would expect from an adventurous Sherlock Holmes story.
Vulgarities: none
Literary artistry: * * * * *
Comments: Death Cloud is one of the few books to be endorsed by the estate of Sir Arthur Conan Doyle – high praise indeed. In Death Cloud, we meet a 14 year-old Sherlock who is stuck staying with an eccentric aunt and uncle for the summer. Soon he is thrust into a mystery that takes him from the country to the seedy warehouses of London and across the English Channel. The best part about this book, and I would guess the series, is the way the author introduces us to Sherlock before he was the world’s greatest detective. Explanations for some of his quirks, skills, obsessions abound and are seamlessly interwoven into the plot so it doesn’t feel forced. A small criticism is that some of the plot is a little far-fetched and the villain is slightly laughable at times. The originals are, of course, still the best, but if you have already read them this is a new, well-written way to appreciate a youthful Sherlock that is respectful to the original canon.
I would suggest this book to younger teens / older teens / all teens / no teens
Author website: http://www.youngsherlock.com/
Reviewer: Sabrina Holland
Core themes: self-discovery, revenge, justice
Drugs/alcohol: Sherlock being drugged with laudanum (opium); some adult drinking
Religion/occult: none
Romance/sexuality: none
Violence/abuse: several scenes involving some fist-fighting and sword-play--what you would expect from an adventurous Sherlock Holmes story.
Vulgarities: none
Literary artistry: * * * * *
Comments: Death Cloud is one of the few books to be endorsed by the estate of Sir Arthur Conan Doyle – high praise indeed. In Death Cloud, we meet a 14 year-old Sherlock who is stuck staying with an eccentric aunt and uncle for the summer. Soon he is thrust into a mystery that takes him from the country to the seedy warehouses of London and across the English Channel. The best part about this book, and I would guess the series, is the way the author introduces us to Sherlock before he was the world’s greatest detective. Explanations for some of his quirks, skills, obsessions abound and are seamlessly interwoven into the plot so it doesn’t feel forced. A small criticism is that some of the plot is a little far-fetched and the villain is slightly laughable at times. The originals are, of course, still the best, but if you have already read them this is a new, well-written way to appreciate a youthful Sherlock that is respectful to the original canon.
I would suggest this book to younger teens / older teens / all teens / no teens
Author website: http://www.youngsherlock.com/
Reviewer: Sabrina Holland
The Deepest Night, by Shana Abe (The Sweetest Dark series, book 2)
Why this book is worth considering:
I have to admit that I was a little embarrassed to be seen with this novel. The cover looks like a teenage Harlequin romance novel, and the title is completely meaningless in the context of the story. I don't know what the publisher was thinking! Yet, this is a great example of why we can't judge a book by its cover, because the story was fresh, intriguing, and fanciful. And yes, romantic, but not in a Harlequin-y sort of way. I feel sheepish admitting it, but I kind of enjoyed it. If your daughter (or son, but it's not so much for boys) enjoys fantasy and historical fiction, this is a great blend of the two. It's not great literature, but Abe's writing is often lyrical and lovely. In addition, there is no sex and only occasional swearing. That said, I realized after I read the novel that it is a sequel, which explains why a few important parts were a little confusing or sketchy. Though this novel can stand alone, I suggest starting with book 1, The Sweetest Dark, for clarity's sake.
Why this book may not be right for your teen:
This is purely a leisure read, great for trips and lazy afternoons. If you are looking for profound, memorable literature, this isn't it, though I felt that Abe has more potential as a great writer than many mind-candy writers do. The fantastical element may bother some parents, too, because it is about human beings who can transform into dragons and mist. Because of that, the story is incompatible with any kind of spiritual truths. God has no place in this tale at all, in fact, even in the figurative sense, because the protagonists clearly depend on fate and the stars for guidance. Swearing is occasionally present, sometimes feeling realistic for its World War I setting and sometimes feeling too modernized to be believable.
Most importantly, the novel contains no sex (only a little passionate kissing), but it is unusual in that the two protagonists spend a lot of time naked and sleeping together. It is important to understand that these instances are completely non-sexual and essential within the context of the story, except for when Lora begins to feel aroused by her closeness to Armand. The reason for the (non-graphic) nudity is that when they transform from human to dragon, they naturally shed their clothes; thus, when they transform back again, they are naked and have to find new clothes. They sleep together due to challenging circumstances that don't give them much choice, but Abe takes care to emphasize that they only sleep. Even so, the strong presence of nudity and sexual tension in the latter half of the novel may be a deal-breaker for some parents.
Literary artistry: * * * * *
I would suggest this book to younger teens/ older teens/ all teens/ no teens.
Author website: http://shanaabe.com/
Reviewer: Cheri Blomquist
Why this book is worth considering:
I have to admit that I was a little embarrassed to be seen with this novel. The cover looks like a teenage Harlequin romance novel, and the title is completely meaningless in the context of the story. I don't know what the publisher was thinking! Yet, this is a great example of why we can't judge a book by its cover, because the story was fresh, intriguing, and fanciful. And yes, romantic, but not in a Harlequin-y sort of way. I feel sheepish admitting it, but I kind of enjoyed it. If your daughter (or son, but it's not so much for boys) enjoys fantasy and historical fiction, this is a great blend of the two. It's not great literature, but Abe's writing is often lyrical and lovely. In addition, there is no sex and only occasional swearing. That said, I realized after I read the novel that it is a sequel, which explains why a few important parts were a little confusing or sketchy. Though this novel can stand alone, I suggest starting with book 1, The Sweetest Dark, for clarity's sake.
Why this book may not be right for your teen:
This is purely a leisure read, great for trips and lazy afternoons. If you are looking for profound, memorable literature, this isn't it, though I felt that Abe has more potential as a great writer than many mind-candy writers do. The fantastical element may bother some parents, too, because it is about human beings who can transform into dragons and mist. Because of that, the story is incompatible with any kind of spiritual truths. God has no place in this tale at all, in fact, even in the figurative sense, because the protagonists clearly depend on fate and the stars for guidance. Swearing is occasionally present, sometimes feeling realistic for its World War I setting and sometimes feeling too modernized to be believable.
Most importantly, the novel contains no sex (only a little passionate kissing), but it is unusual in that the two protagonists spend a lot of time naked and sleeping together. It is important to understand that these instances are completely non-sexual and essential within the context of the story, except for when Lora begins to feel aroused by her closeness to Armand. The reason for the (non-graphic) nudity is that when they transform from human to dragon, they naturally shed their clothes; thus, when they transform back again, they are naked and have to find new clothes. They sleep together due to challenging circumstances that don't give them much choice, but Abe takes care to emphasize that they only sleep. Even so, the strong presence of nudity and sexual tension in the latter half of the novel may be a deal-breaker for some parents.
Literary artistry: * * * * *
I would suggest this book to younger teens/ older teens/ all teens/ no teens.
Author website: http://shanaabe.com/
Reviewer: Cheri Blomquist
See the content keys for an explanation of the numbers.
The Distance Between Us, by Kasie West
Core themes: relationships, coping with parental expectations, discovering your path in life
Drugs/alcohol: One instance of an underage kid drinking a beer and offering one to the main character. She turns it down because she is underage.
Religion/occult: none
Romance/sexuality: 1
Violence/abuse: none
Vulgarities: none
Literary artistry: * * * * *
Comments: The Distance Between Us was a fairly typical romance book in which the main character has to decide between two guys and get past first impressions. I found it a bit hard to root for the main character, because she was so sarcastic and judgmental. Overall, it was an enjoyable, lighthearted read that taught a good lesson about not judging people by their stereotypes.
I would suggest this book to: younger teens / older teens / all teens / no teens.
Author website: http://www.kasiewest.com/
Reviewer: Emily Holland
Core themes: relationships, coping with parental expectations, discovering your path in life
Drugs/alcohol: One instance of an underage kid drinking a beer and offering one to the main character. She turns it down because she is underage.
Religion/occult: none
Romance/sexuality: 1
Violence/abuse: none
Vulgarities: none
Literary artistry: * * * * *
Comments: The Distance Between Us was a fairly typical romance book in which the main character has to decide between two guys and get past first impressions. I found it a bit hard to root for the main character, because she was so sarcastic and judgmental. Overall, it was an enjoyable, lighthearted read that taught a good lesson about not judging people by their stereotypes.
I would suggest this book to: younger teens / older teens / all teens / no teens.
Author website: http://www.kasiewest.com/
Reviewer: Emily Holland
See the content keys for an explanation of the numbers.
Divergent, by Veronica Roth (Divergent Trilogy series, #1)
*2014 movie*
Core themes: self-discovery, facing fears, friendship, selflessness vs. selfishness, pride, sacrifice
Drugs/alcohol: several instances of teen drinking in small groups and at celebratory functions.
Religion/occult: belief in God mentioned several times.
Romance/sexuality: 1, 2
Violence/abuse: learning to fight as part of training. Includes fist fights and kicking. Learning to shoot a gun and throw a knife. As part of training girls and boys expected to fight each other so there are some instances of girls being hit by boys and vice versa. One teen suicide. One stabbing of a fellow initiate. As part of training, initiates must go through virtual simulations which show their greatest fears and they must overcome them. Some simulations have violence in them. One reference to child abuse (beating and confinement) by a parent in the past.
Vulgarities: none
Literary artistry: * * * * *
Comments: Set in a futuristic Chicago, people are divided into factions based on one of five virtues. At the age of 16 one decides whether to stay with the faction you were raised in or change to a new faction and (possibly) never see your family again. A story of self-discovery for Tris, a girl with a secret, who must decide what course to take in her life amidst growing conflicts within her society. Unique storyline forces the reader to evaluate their own virtues and morals if they were to be placed in this situation. If you like the Hunger Games Trilogy, then the Divergent series is right up your alley.
I would suggest this book to younger teens / older teens /all teens/ no teens.
Author website: http://theartofnotwriting.tumblr.com/
Reviewer: Sabrina Holland
*2014 movie*
Core themes: self-discovery, facing fears, friendship, selflessness vs. selfishness, pride, sacrifice
Drugs/alcohol: several instances of teen drinking in small groups and at celebratory functions.
Religion/occult: belief in God mentioned several times.
Romance/sexuality: 1, 2
Violence/abuse: learning to fight as part of training. Includes fist fights and kicking. Learning to shoot a gun and throw a knife. As part of training girls and boys expected to fight each other so there are some instances of girls being hit by boys and vice versa. One teen suicide. One stabbing of a fellow initiate. As part of training, initiates must go through virtual simulations which show their greatest fears and they must overcome them. Some simulations have violence in them. One reference to child abuse (beating and confinement) by a parent in the past.
Vulgarities: none
Literary artistry: * * * * *
Comments: Set in a futuristic Chicago, people are divided into factions based on one of five virtues. At the age of 16 one decides whether to stay with the faction you were raised in or change to a new faction and (possibly) never see your family again. A story of self-discovery for Tris, a girl with a secret, who must decide what course to take in her life amidst growing conflicts within her society. Unique storyline forces the reader to evaluate their own virtues and morals if they were to be placed in this situation. If you like the Hunger Games Trilogy, then the Divergent series is right up your alley.
I would suggest this book to younger teens / older teens /all teens/ no teens.
Author website: http://theartofnotwriting.tumblr.com/
Reviewer: Sabrina Holland
The Divergent Trilogy, by Veronica Roth
Please the detailed review for Divergent (book 1).
Addendum--notes on Insurgent (book 2):
Insurgent picks up immediately where Divergent left off. Tris and some of her friends are recovering from a battle with another faction that is usurping control of their society. Much of storyline in this book revolves around talking to the other factions and trying to get them to join the fight as well as trying to find out what the rogue faction is planning. It is a difficult task since most factions are content with the status quo or harbor personality traits that do not condone violence for self-defense. In addition, Tris has to navigate through the underworld of the factionless--people who did not fit in with any of the other factions and are left homeless to live on the streets. She needs to decide whether to trust their intentions or if they are another group trying to take control of the government.
Overall Insurgent is a well-written page turner that keeps the plot going. I like that it is a tightly written story with realistic action, an interesting plot and a little bit of romance. The fact that the author can pull all of this off with almost no foul language, overt sexuality or a preachy/politically correct tone speaks volumes about her ability. I wish more YA authors wrote like Veronica Roth.
Addendum--notes on Allegiant (book 3)
Allegiant is the final book in the Divergent Trilogy by Veronica Roth. There is a lot of online controversy about this book, because many fans are unhappy with the direction the story took. The first book was very solid, and the second one suffered a little as Tris made some weird decisions that seemed odd but at least pushed the plot forward. Allegiant languishes somewhat in that it is required to give you all the information that has been missing in the first two books, keep the drama of the Tobias/Tris relationship going, and tie it up all neatly at the end. To do this, Roth switched to a dual POV system that is new to the series. Each chapter is labeled Tris or Tobias, but the voice doesn’t change much in the chapters, so at times I couldn’t remember whose POV it was without looking back. The plot and action also became convoluted, and I had a hard time understanding why characters were making the choices they were. I will not address the ending at all as I don’t intend to include spoilers. If you don’t want it spoiled, I highly advise staying away from any book sites (or Amazon, for that matter) until you finish reading it.
Overall, the content in terms of violence, foul language, and sexuality is similar to the first two books. The one exception is that I believe there is an actual sex scene in this book, but to be perfectly honest I wasn’t completely sure. If there was an award for this type of thing, Judy Blume would receive “most explicit” and Veronica Roth would win “most vague” or maybe a “huh?”
I think this book will be the death knell for the movie franchise they are in the process of creating. I doubt they will make books two and three into movies, unless they alter the third book significantly to appeal to fans who are upset about how this story was wrapped up. I think Divergent would have been better as a longer, stand-alone story or two books at the maximum. Everyone wants trilogies or more these days because it equals money and a franchise. Sometimes the plot simply cannot support a trilogy, and a single book that would have been great becomes mediocre when it is forced into a series.
Reviewer: Sabrina Holland
Please the detailed review for Divergent (book 1).
Addendum--notes on Insurgent (book 2):
Insurgent picks up immediately where Divergent left off. Tris and some of her friends are recovering from a battle with another faction that is usurping control of their society. Much of storyline in this book revolves around talking to the other factions and trying to get them to join the fight as well as trying to find out what the rogue faction is planning. It is a difficult task since most factions are content with the status quo or harbor personality traits that do not condone violence for self-defense. In addition, Tris has to navigate through the underworld of the factionless--people who did not fit in with any of the other factions and are left homeless to live on the streets. She needs to decide whether to trust their intentions or if they are another group trying to take control of the government.
Overall Insurgent is a well-written page turner that keeps the plot going. I like that it is a tightly written story with realistic action, an interesting plot and a little bit of romance. The fact that the author can pull all of this off with almost no foul language, overt sexuality or a preachy/politically correct tone speaks volumes about her ability. I wish more YA authors wrote like Veronica Roth.
Addendum--notes on Allegiant (book 3)
Allegiant is the final book in the Divergent Trilogy by Veronica Roth. There is a lot of online controversy about this book, because many fans are unhappy with the direction the story took. The first book was very solid, and the second one suffered a little as Tris made some weird decisions that seemed odd but at least pushed the plot forward. Allegiant languishes somewhat in that it is required to give you all the information that has been missing in the first two books, keep the drama of the Tobias/Tris relationship going, and tie it up all neatly at the end. To do this, Roth switched to a dual POV system that is new to the series. Each chapter is labeled Tris or Tobias, but the voice doesn’t change much in the chapters, so at times I couldn’t remember whose POV it was without looking back. The plot and action also became convoluted, and I had a hard time understanding why characters were making the choices they were. I will not address the ending at all as I don’t intend to include spoilers. If you don’t want it spoiled, I highly advise staying away from any book sites (or Amazon, for that matter) until you finish reading it.
Overall, the content in terms of violence, foul language, and sexuality is similar to the first two books. The one exception is that I believe there is an actual sex scene in this book, but to be perfectly honest I wasn’t completely sure. If there was an award for this type of thing, Judy Blume would receive “most explicit” and Veronica Roth would win “most vague” or maybe a “huh?”
I think this book will be the death knell for the movie franchise they are in the process of creating. I doubt they will make books two and three into movies, unless they alter the third book significantly to appeal to fans who are upset about how this story was wrapped up. I think Divergent would have been better as a longer, stand-alone story or two books at the maximum. Everyone wants trilogies or more these days because it equals money and a franchise. Sometimes the plot simply cannot support a trilogy, and a single book that would have been great becomes mediocre when it is forced into a series.
Reviewer: Sabrina Holland
See the content keys for an explanation of the numbers.
Downriver, by Will Hobbs
Core themes: self-discovery, facing fears, friendship, teenage rebellion, the challenge of doing the right thing in the face of peer pressure, teen-parent conflict
Drugs/alcohol: discussions about liquor and cigarettes; teens steal and drink some tequila
Religion/occult: one character uses and believes in tarot cards
Romance/sexuality: brief discussion of going skinny-dipping
Violence/abuse: one of the teens in the group is domineering in an abusive way; he also makes dangerous, life-threatening decisions and imposes (or tries to) them on the others
Vulgarities: not recorded but very infrequent, if any
Literary artistry: * * * * *
Comments: This is a great novel for teens who favor adventure stories. Very little controversial content mars the story, although the characters themselves are troubled and rebellious. At heart it is a story of personal growth, as a group of teens steals the van of its outdoor education leader to raft down the Grand Canyon. Although the teens are all delinquents of some kind and not the kind readers should seek as role models, they do have to mature and learn to work together in order to survive their harrowing journey downriver, as well as face the consequences of their actions.
I would suggest this book to younger teens / older teens /all teens/ no teens.
Author website: http://www.willhobbsauthor.com/
Reviewer: Cheri Blomquist
Core themes: self-discovery, facing fears, friendship, teenage rebellion, the challenge of doing the right thing in the face of peer pressure, teen-parent conflict
Drugs/alcohol: discussions about liquor and cigarettes; teens steal and drink some tequila
Religion/occult: one character uses and believes in tarot cards
Romance/sexuality: brief discussion of going skinny-dipping
Violence/abuse: one of the teens in the group is domineering in an abusive way; he also makes dangerous, life-threatening decisions and imposes (or tries to) them on the others
Vulgarities: not recorded but very infrequent, if any
Literary artistry: * * * * *
Comments: This is a great novel for teens who favor adventure stories. Very little controversial content mars the story, although the characters themselves are troubled and rebellious. At heart it is a story of personal growth, as a group of teens steals the van of its outdoor education leader to raft down the Grand Canyon. Although the teens are all delinquents of some kind and not the kind readers should seek as role models, they do have to mature and learn to work together in order to survive their harrowing journey downriver, as well as face the consequences of their actions.
I would suggest this book to younger teens / older teens /all teens/ no teens.
Author website: http://www.willhobbsauthor.com/
Reviewer: Cheri Blomquist
The Duke of Bannerman Prep, by Katie A. Nelson
Why this book is worth considering:
This book is an unexpected pleasure to review, because I thoroughly enjoyed it. Yes, it is a serious, fairly heavy, character-driven drama, but it is fast-paced, well-plotted, fresh (despite being a modern retelling of the The Great Gatsby), and completely engaging. Not only that, the characters are believable, complex, and interesting, and I learned a lot about competitive debate, which was also interesting. Concerned parents need not be worried about much in this novel, either. It contains no sex (though some is subtly implied), only occasional mild swearing, and no graphic violence. Its multiple themes are deep and thought-provoking, but they are appropriate and relevant, I think, to teens who are trying to figure out what kind of person they want to become. It would be an excellent choice for a book club and maybe even a literature course, because it is complex enough to warrant some great discussion. Although it has a male protagonist, I think it would appeal to both boys and girls.
Why this book may not be right for your teen:
Because this is, like I said, a heavy drama, some teens may not be ready for it. Tanner McKay is a good, hardworking kid from the wrong side of the tracks who wants to make the most of his miraculous opportunity to work for a scholarship to Stanford, which is his ticket to becoming a Washington D.C. lawyer. However, he is soon sucked into the luxurious world of his brilliant and charming debate partner, Andrew Tate. Andrew, however, is not who he appears to be and soon forces Tanner to face his true self (which isn't pretty) and determine what kind of person he is going to become. The novel does contain some content of potential concern to parents--romance with heavy kissing, occasional (but mild) swearing), several unsavory characters, one of which consistently cheats on her boyfriend (who is also cheating on her), and a fair amount of underage drinking and partying. Still, I think that the complexity and depth of this novel are valuable and help to elevate this novel far above many other YA novels I have read.
Literary artistry: * * * * *
I would suggest this book to younger teens/ older teens/ all teens/ no teens.
Author website: http://www.katieanelson.com/
Reviewer: Cheri Blomquist
Why this book is worth considering:
This book is an unexpected pleasure to review, because I thoroughly enjoyed it. Yes, it is a serious, fairly heavy, character-driven drama, but it is fast-paced, well-plotted, fresh (despite being a modern retelling of the The Great Gatsby), and completely engaging. Not only that, the characters are believable, complex, and interesting, and I learned a lot about competitive debate, which was also interesting. Concerned parents need not be worried about much in this novel, either. It contains no sex (though some is subtly implied), only occasional mild swearing, and no graphic violence. Its multiple themes are deep and thought-provoking, but they are appropriate and relevant, I think, to teens who are trying to figure out what kind of person they want to become. It would be an excellent choice for a book club and maybe even a literature course, because it is complex enough to warrant some great discussion. Although it has a male protagonist, I think it would appeal to both boys and girls.
Why this book may not be right for your teen:
Because this is, like I said, a heavy drama, some teens may not be ready for it. Tanner McKay is a good, hardworking kid from the wrong side of the tracks who wants to make the most of his miraculous opportunity to work for a scholarship to Stanford, which is his ticket to becoming a Washington D.C. lawyer. However, he is soon sucked into the luxurious world of his brilliant and charming debate partner, Andrew Tate. Andrew, however, is not who he appears to be and soon forces Tanner to face his true self (which isn't pretty) and determine what kind of person he is going to become. The novel does contain some content of potential concern to parents--romance with heavy kissing, occasional (but mild) swearing), several unsavory characters, one of which consistently cheats on her boyfriend (who is also cheating on her), and a fair amount of underage drinking and partying. Still, I think that the complexity and depth of this novel are valuable and help to elevate this novel far above many other YA novels I have read.
Literary artistry: * * * * *
I would suggest this book to younger teens/ older teens/ all teens/ no teens.
Author website: http://www.katieanelson.com/
Reviewer: Cheri Blomquist
Dumplin', byJulie Murphy
Why this book is worth considering:
For once a novel offers a main character--and supporting characters--who aren't wallowing in their physical challenges. Willowdean is both fat and happy, not to mention pretty enough to interest two good-looking boys within a short space of time. Sure, she would like to lose weight and sometimes feels pretty low and embarrassed because of it, but the novel isn't about that. She mostly accepts herself the way she is and refuses to be put down because of it. Her best friend is tall, lean, and lovely but several other girls in her universe also deal with physical challenges. Together they decide to enter the annual town beauty pageant, despite what people may think. It's hard not to like a book like this, because it reminds the reader that looking different from "normal" people makes us no less deserving of decent treatment and happiness.
Why this book may not be right for your teen:
Despite the great things about this novel's plot, parents should be aware that the novel contains a number of possible points of concern. In her apparent effort to be as realistic as possible (according to her own experience, I assume), Murphy includes fairly frequent swearing, a couple of scenes of mild underage drinking, a character that comes out as a lesbian near the end, Christianity presented (with some frequency and in different ways) as something strictly relevant to adults, and heavy kissing. In addition, one supporting character confides in Willowdean her intent to have sex with her boyfriend, which results in some discussion about it both before and after the act. A small amount of this discussion is a little too graphic, in my opinion. Finally, Willowdean shows a great deal of disrespect to her mother, who is single and had her daughter after a fly-by-night relationship. The reader may consider this disrespect justifiable, and I think some of it was. However, some of Willowdean's comments to her mother were a little shocking in their intensity, as well as undeserved, and she never apologizes. On the other hand, the thematic elements of the novel may be just what some readers need, especially girls who struggle with their weight. For that reason, this may be a novel some parents will want to allow their teens anyway.
Literary artistry: * * * * *
I would suggest this book to younger teens/ older teens/ all teens/ no teens.
Author website: http://juliemurphywrites.com/
Reviewer: Cheri Blomquist
Why this book is worth considering:
For once a novel offers a main character--and supporting characters--who aren't wallowing in their physical challenges. Willowdean is both fat and happy, not to mention pretty enough to interest two good-looking boys within a short space of time. Sure, she would like to lose weight and sometimes feels pretty low and embarrassed because of it, but the novel isn't about that. She mostly accepts herself the way she is and refuses to be put down because of it. Her best friend is tall, lean, and lovely but several other girls in her universe also deal with physical challenges. Together they decide to enter the annual town beauty pageant, despite what people may think. It's hard not to like a book like this, because it reminds the reader that looking different from "normal" people makes us no less deserving of decent treatment and happiness.
Why this book may not be right for your teen:
Despite the great things about this novel's plot, parents should be aware that the novel contains a number of possible points of concern. In her apparent effort to be as realistic as possible (according to her own experience, I assume), Murphy includes fairly frequent swearing, a couple of scenes of mild underage drinking, a character that comes out as a lesbian near the end, Christianity presented (with some frequency and in different ways) as something strictly relevant to adults, and heavy kissing. In addition, one supporting character confides in Willowdean her intent to have sex with her boyfriend, which results in some discussion about it both before and after the act. A small amount of this discussion is a little too graphic, in my opinion. Finally, Willowdean shows a great deal of disrespect to her mother, who is single and had her daughter after a fly-by-night relationship. The reader may consider this disrespect justifiable, and I think some of it was. However, some of Willowdean's comments to her mother were a little shocking in their intensity, as well as undeserved, and she never apologizes. On the other hand, the thematic elements of the novel may be just what some readers need, especially girls who struggle with their weight. For that reason, this may be a novel some parents will want to allow their teens anyway.
Literary artistry: * * * * *
I would suggest this book to younger teens/ older teens/ all teens/ no teens.
Author website: http://juliemurphywrites.com/
Reviewer: Cheri Blomquist
