The "L" Reviews--See the content keys for an explanation of the numbers.
The Last Dragonslayer, by Jasper Fflorde (Chronicles of Kazam series,
book one)
*2nd place in young adult fiction, The Book Industry Guild of NY (27th annual); The New York Times Notable Children’s Books of 2012, Middle Grade; 2012 Cybils Award Finalist, Middle Grade Fantasy & Science Fiction; YALSA 2013 Best Fiction for Young Adults; E. B. White 2013 Honor, Middle Reader*
This book takes place in an alternate universe in which magic is another force like gravity or electricity. It is a humorous book, depending mostly on puns and witty remarks on the modern day world (advertising, media, greed, etc). The main character, Jennifer Strange, is not capable of magic herself but manages a company of witches and wizards that take on jobs like finding lost objects and removing illegally parked cars. While some parents may be dismayed by the presence of magic in the books, Jennifer’s character is one of courage, loyalty, and honesty. The dragon in question is a noble creature who sacrifices his life to ensure the continuation of dragons. Though Jennifer does indeed slay him (one of a few instances of violence in the book), she does so only at his insistence. There are little or few instances of romantic content or inappropriate language. (Note: I read this book in late fall 2013).
Author website: http://www.jasperfforde.com/
Reviewer: Jill Papsdorf
book one)
*2nd place in young adult fiction, The Book Industry Guild of NY (27th annual); The New York Times Notable Children’s Books of 2012, Middle Grade; 2012 Cybils Award Finalist, Middle Grade Fantasy & Science Fiction; YALSA 2013 Best Fiction for Young Adults; E. B. White 2013 Honor, Middle Reader*
This book takes place in an alternate universe in which magic is another force like gravity or electricity. It is a humorous book, depending mostly on puns and witty remarks on the modern day world (advertising, media, greed, etc). The main character, Jennifer Strange, is not capable of magic herself but manages a company of witches and wizards that take on jobs like finding lost objects and removing illegally parked cars. While some parents may be dismayed by the presence of magic in the books, Jennifer’s character is one of courage, loyalty, and honesty. The dragon in question is a noble creature who sacrifices his life to ensure the continuation of dragons. Though Jennifer does indeed slay him (one of a few instances of violence in the book), she does so only at his insistence. There are little or few instances of romantic content or inappropriate language. (Note: I read this book in late fall 2013).
Author website: http://www.jasperfforde.com/
Reviewer: Jill Papsdorf
See the content keys for an explanation of the numbers.
Legend, by Marie Lu (Legend series, book 1)
*Sunshine State Young Readers Middle School Award winner; 2013 Texas Lone Star Reading List; 2013 Texas Tayshas Reading List; California Young Reader Medal Young Adult nominee; 2015 Rebecca Caudill Young Readers' Book Award Master List; Publisher's Weekly Best Children's Fiction of 2011*
Core themes: how government and military officials should treat citizens; moral responsibility to act in knowledge of injustice
Drugs/alcohol: drinking in bars and events, but only once by June and Day (the main characters) when they share part of a bottle of wine
Religion/occult: none
Romance/sexuality: 1
Violence/abuse: military abuses its power regularly, including beatings, massacring unarmed protesters, experimenting on children until they die, and releasing viruses among the poor as testing for biological weapons; multiple murders and an execution; Skiz fighting in which bystanders pound on each other and riff-raff gamble on the outcome; a guerilla army fights against those in power;
Vulgarities: 1, 2
Literary artistry: * * * * *
Comments: The bad guys in this book are really bad, so the moral quandary of whether to fight back is not too bothersome. It’s a fast read and will interest teens who have enjoyed The Hunger Games or Divergent.
I would suggest this book to: younger teens / older teens / all teens / no teens.
Author website: http://marielubooks.tumblr.com/ / Series website: http://www.legendtheseries.com/
Reviewer: Jill Papsdorf
*Sunshine State Young Readers Middle School Award winner; 2013 Texas Lone Star Reading List; 2013 Texas Tayshas Reading List; California Young Reader Medal Young Adult nominee; 2015 Rebecca Caudill Young Readers' Book Award Master List; Publisher's Weekly Best Children's Fiction of 2011*
Core themes: how government and military officials should treat citizens; moral responsibility to act in knowledge of injustice
Drugs/alcohol: drinking in bars and events, but only once by June and Day (the main characters) when they share part of a bottle of wine
Religion/occult: none
Romance/sexuality: 1
Violence/abuse: military abuses its power regularly, including beatings, massacring unarmed protesters, experimenting on children until they die, and releasing viruses among the poor as testing for biological weapons; multiple murders and an execution; Skiz fighting in which bystanders pound on each other and riff-raff gamble on the outcome; a guerilla army fights against those in power;
Vulgarities: 1, 2
Literary artistry: * * * * *
Comments: The bad guys in this book are really bad, so the moral quandary of whether to fight back is not too bothersome. It’s a fast read and will interest teens who have enjoyed The Hunger Games or Divergent.
I would suggest this book to: younger teens / older teens / all teens / no teens.
Author website: http://marielubooks.tumblr.com/ / Series website: http://www.legendtheseries.com/
Reviewer: Jill Papsdorf
Legend Trilogy, by Marie Lu
See the individual reviews for the books in this series:
Legend
Prodigy
Champion
See the individual reviews for the books in this series:
Legend
Prodigy
Champion
See the content keys for an explanation of the numbers.
Let It Snow: Three Holiday Romances, by John Green, Maureen Johnson, and Lauren Myracle
*2008 YALSA Books to Watch Out For list*
Core themes: perseverance, trust, forgiveness, learning to be more selfless
Drugs/alcohol: one instance of a rogue keg of beer that no one drinks.
Religion/occult: discussion about the commercialization of Christmas and how that makes it seem less like a religious holiday, some mention of Hannukah
Romance/sexuality: 1, 2 –- Mild except for some crude humor about certain body parts in the John Green story “A Cheertastic Christmas Miracle.”
Violence/abuse: none
Vulgarities: 1, 3, 4, 5 -– A few instances of blasphemy and a relatively low amount of profanity for 350 pages despite the four numbers listed. It is more about variety than quantity.
Literary artistry: * * * * *
Comments: Let It Snow is a book of three Christmas teen romance stories written by three YA authors. Each tale contains new characters but then interconnects with the other stories in a final denouement at the end of “The Patron Saint of Pigs.” Overall, it is a laugh-filled romp through snowbound Gracetown with a dash of melancholy and teen angst to spice it up. I will never look at a Waffle House, Twister, or tinfoil the same way again.
I would suggest this book to: younger teens / older teens / all teens / no teens. Note: I would say 14+ would be appropriate because of some of the crude humor; otherwise, I would say “all teens.”
Author website: http://johngreenbooks.com/; http://www.maureenjohnsonbooks.com/; http://www.laurenmyracle.com
Reviewer: Annika Holland
*2008 YALSA Books to Watch Out For list*
Core themes: perseverance, trust, forgiveness, learning to be more selfless
Drugs/alcohol: one instance of a rogue keg of beer that no one drinks.
Religion/occult: discussion about the commercialization of Christmas and how that makes it seem less like a religious holiday, some mention of Hannukah
Romance/sexuality: 1, 2 –- Mild except for some crude humor about certain body parts in the John Green story “A Cheertastic Christmas Miracle.”
Violence/abuse: none
Vulgarities: 1, 3, 4, 5 -– A few instances of blasphemy and a relatively low amount of profanity for 350 pages despite the four numbers listed. It is more about variety than quantity.
Literary artistry: * * * * *
Comments: Let It Snow is a book of three Christmas teen romance stories written by three YA authors. Each tale contains new characters but then interconnects with the other stories in a final denouement at the end of “The Patron Saint of Pigs.” Overall, it is a laugh-filled romp through snowbound Gracetown with a dash of melancholy and teen angst to spice it up. I will never look at a Waffle House, Twister, or tinfoil the same way again.
I would suggest this book to: younger teens / older teens / all teens / no teens. Note: I would say 14+ would be appropriate because of some of the crude humor; otherwise, I would say “all teens.”
Author website: http://johngreenbooks.com/; http://www.maureenjohnsonbooks.com/; http://www.laurenmyracle.com
Reviewer: Annika Holland
The Librarian of Auschwitz, by Antonio Iturbe
*Sydney Taylor Book Award, 2018*
Why this book is worth considering:
Wow--just wow. This is YA fiction at its absolute best. It's powerful, moving, fascinating, and unforgettable, worth deep and lingering discussions. Best of all, it's true, based on a real-life Auschwitz prisoner. Amazingly, the protagonist Dita even crossed paths with Anne and Margot Frank as they lay on their death beds in Bergen-Belsen. Never before have I experienced a concentration camp so vicariously, except through documentaries perhaps. This is a novel that made me think and mourn for the millions lost during the Holocaust in a way I haven't yet, and I don't think I'll ever forget it.
Why this book may not be right for your teen:
This novel holds nothing back--nothing. Dita's story is brutal and horrific, the enormity of the evil she witnessed hardly even imaginable. While many teens can handle it, they need to understand before reading it that Iturbe's narrative is highly graphic, though never gratuitous. It contains extreme violence and abuse, some references to drugs and drinking (a character dies from an accidental overdose, for example), references to the Jewish faith, and romance. It includes a description of the struggles of a homosexual Jewish character. There is no graphic sex or kissing, but there are descriptions of forced female nakedness in front of Nazi males. Readers need to be prepared for this novel before they begin, because while powerful, it is not an easy read.
Literary artistry: * * * * *
I would suggest this book to younger teens / older teens / all teens/ no teens.
Author Website: none
Reviewer: Cheri Blomquist
*Sydney Taylor Book Award, 2018*
Why this book is worth considering:
Wow--just wow. This is YA fiction at its absolute best. It's powerful, moving, fascinating, and unforgettable, worth deep and lingering discussions. Best of all, it's true, based on a real-life Auschwitz prisoner. Amazingly, the protagonist Dita even crossed paths with Anne and Margot Frank as they lay on their death beds in Bergen-Belsen. Never before have I experienced a concentration camp so vicariously, except through documentaries perhaps. This is a novel that made me think and mourn for the millions lost during the Holocaust in a way I haven't yet, and I don't think I'll ever forget it.
Why this book may not be right for your teen:
This novel holds nothing back--nothing. Dita's story is brutal and horrific, the enormity of the evil she witnessed hardly even imaginable. While many teens can handle it, they need to understand before reading it that Iturbe's narrative is highly graphic, though never gratuitous. It contains extreme violence and abuse, some references to drugs and drinking (a character dies from an accidental overdose, for example), references to the Jewish faith, and romance. It includes a description of the struggles of a homosexual Jewish character. There is no graphic sex or kissing, but there are descriptions of forced female nakedness in front of Nazi males. Readers need to be prepared for this novel before they begin, because while powerful, it is not an easy read.
Literary artistry: * * * * *
I would suggest this book to younger teens / older teens / all teens/ no teens.
Author Website: none
Reviewer: Cheri Blomquist
Lies We Tell Ourselves, by Robin Talley
*short list for the 2016 CILIP Carnegie Medal; 2015 Lambda Literary Award for Children’s/Young Adult Fiction finalist*
Why this book is worth considering:
The School Library Journal endorsement on the front cover is exactly right: "A beautifully written and compelling read." Talley writes this story about the desegregation movement in Virginia with both a strong voice and razor-sharp detail, which brings the movement's events out of the history books and makes them real for today's youth. The effect is powerful and compelling enough that I could hardly put it down, and I can seldom say that about a YA novel. Her context-building and characterization are excellent, and the first couple of chapters are possibly the most powerful opening to any novel that I have ever read. Talley managed to draw me in so deeply that I almost felt like I was time-traveling and could watch everything happening like a fly on the wall. That she managed to hold my attention even after the story went south (in my opinion) testifies to the excellence of her writing. Creative writing students could learn a great deal about crafting stories just by analyzing this novel. In this sense, I highly recommend it.
Why this book may not be right for your teen:
Novels like this one are the reason for the existence of What's In It. How the novel is described on the jacket and the accolades it received give only the subtlest of hints of what Lies is really about. Most parents reading the jacket, in fact, would readily give approval, because it sounds like a historical novel about the challenges of southern racial integration and nothing more. While it definitely is about racial integration--and powerfully so--the novel actually has two key storylines that compete for attention. This second storyline encourages the exploration of sexual identity and encourages societal acceptance of homosexual behavior, something parents would never suspect from looking at the cover. The author's message seems aimed at encouraging readers to embrace and celebrate their sexual identity and to push away any adult who stands in the way of them deciding who they are and what their path in life will be. Although I don't know any parents who want to stifle their children's personal development, this author's message seems to prepare youth to fight their parents more than embrace their guidance, help, and wisdom. Perhaps I misunderstood, but this is how it came across to me. At one point she even has a protagonist tell her father she hates him (though not without reason).
Regarding the use of the sexual identity theme in this story, it is important that I clearly state here that it is not my intention to give my personal opinion about this issue. This website is designed for all conservative parents, secular and religious alike, not just those who align with certain moral values. In this paragraph, therefore, let it be understood that I am speaking as a reader and writer only. I feel that the book was profoundly weakened by the addition of this second (but not secondary) storyline. First, having two key storylines meant weakening both of them. Because the integration storyline was so compelling, important, and well-structured, this was very unfortunate. Second, the sexual identity storyline seemed contrived, as if the author had to find a way to make her 21st-century agenda fit a story in which it really didn't belong. The integration storyline, in contrast, was painfully true and authentic.
As much as the author let us into the thought processes of her lesbian characters as they found their way through their emotional maze, I wasn't convinced. To me it strained the bounds of credibility to believe that in such a fiercely anti-integration school in such a volatile setting in American history, the black girl would cross a line and impulsively kiss her white female classmate, no matter how strong her homosexual attraction might be. It wasn't even entirely believable that she would allow herself to think homosexual thoughts about the white girl, when desegregation was still such a powerful force within her community. That the white girl returned her feelings, when her racial prejudice was already so deeply entrenched in her belief system, was even less believable. The black girl's homosexual identity was believable enough, and Talley presented her sexual awakening with sensitivity and attention to her historical context. From there she lost ground, though. If she had only allowed the girls to slowly develop a friendship and overcome some of their divisions, perhaps even having the white girl take a dangerous stand against her fellow white students, the novel would have been almost brilliant.
This novel contains no sex, only light kissing and discussion of romance and marriage. It contains a few swear words, but they are occasional. Religion plays an important part in the novel, since the characters are Christians (this is 1959 Virginia, after all). Talley does an excellent job presenting their Christian identity accurately and without noticeable bias until the end, when she interprets (through her characters) the Bible's teachings on homosexuality and how God regards homosexuals. Some parents will be comfortable with her conclusions, but others will not.
Literary artistry: * * * * *
I would suggest this book to younger teens / older teens / all teens/ no teens.
Author Website: http://www.robintalley.com/
Reviewer: Cheri Blomquist
*short list for the 2016 CILIP Carnegie Medal; 2015 Lambda Literary Award for Children’s/Young Adult Fiction finalist*
Why this book is worth considering:
The School Library Journal endorsement on the front cover is exactly right: "A beautifully written and compelling read." Talley writes this story about the desegregation movement in Virginia with both a strong voice and razor-sharp detail, which brings the movement's events out of the history books and makes them real for today's youth. The effect is powerful and compelling enough that I could hardly put it down, and I can seldom say that about a YA novel. Her context-building and characterization are excellent, and the first couple of chapters are possibly the most powerful opening to any novel that I have ever read. Talley managed to draw me in so deeply that I almost felt like I was time-traveling and could watch everything happening like a fly on the wall. That she managed to hold my attention even after the story went south (in my opinion) testifies to the excellence of her writing. Creative writing students could learn a great deal about crafting stories just by analyzing this novel. In this sense, I highly recommend it.
Why this book may not be right for your teen:
Novels like this one are the reason for the existence of What's In It. How the novel is described on the jacket and the accolades it received give only the subtlest of hints of what Lies is really about. Most parents reading the jacket, in fact, would readily give approval, because it sounds like a historical novel about the challenges of southern racial integration and nothing more. While it definitely is about racial integration--and powerfully so--the novel actually has two key storylines that compete for attention. This second storyline encourages the exploration of sexual identity and encourages societal acceptance of homosexual behavior, something parents would never suspect from looking at the cover. The author's message seems aimed at encouraging readers to embrace and celebrate their sexual identity and to push away any adult who stands in the way of them deciding who they are and what their path in life will be. Although I don't know any parents who want to stifle their children's personal development, this author's message seems to prepare youth to fight their parents more than embrace their guidance, help, and wisdom. Perhaps I misunderstood, but this is how it came across to me. At one point she even has a protagonist tell her father she hates him (though not without reason).
Regarding the use of the sexual identity theme in this story, it is important that I clearly state here that it is not my intention to give my personal opinion about this issue. This website is designed for all conservative parents, secular and religious alike, not just those who align with certain moral values. In this paragraph, therefore, let it be understood that I am speaking as a reader and writer only. I feel that the book was profoundly weakened by the addition of this second (but not secondary) storyline. First, having two key storylines meant weakening both of them. Because the integration storyline was so compelling, important, and well-structured, this was very unfortunate. Second, the sexual identity storyline seemed contrived, as if the author had to find a way to make her 21st-century agenda fit a story in which it really didn't belong. The integration storyline, in contrast, was painfully true and authentic.
As much as the author let us into the thought processes of her lesbian characters as they found their way through their emotional maze, I wasn't convinced. To me it strained the bounds of credibility to believe that in such a fiercely anti-integration school in such a volatile setting in American history, the black girl would cross a line and impulsively kiss her white female classmate, no matter how strong her homosexual attraction might be. It wasn't even entirely believable that she would allow herself to think homosexual thoughts about the white girl, when desegregation was still such a powerful force within her community. That the white girl returned her feelings, when her racial prejudice was already so deeply entrenched in her belief system, was even less believable. The black girl's homosexual identity was believable enough, and Talley presented her sexual awakening with sensitivity and attention to her historical context. From there she lost ground, though. If she had only allowed the girls to slowly develop a friendship and overcome some of their divisions, perhaps even having the white girl take a dangerous stand against her fellow white students, the novel would have been almost brilliant.
This novel contains no sex, only light kissing and discussion of romance and marriage. It contains a few swear words, but they are occasional. Religion plays an important part in the novel, since the characters are Christians (this is 1959 Virginia, after all). Talley does an excellent job presenting their Christian identity accurately and without noticeable bias until the end, when she interprets (through her characters) the Bible's teachings on homosexuality and how God regards homosexuals. Some parents will be comfortable with her conclusions, but others will not.
Literary artistry: * * * * *
I would suggest this book to younger teens / older teens / all teens/ no teens.
Author Website: http://www.robintalley.com/
Reviewer: Cheri Blomquist
The Lines We Cross, by Randa Abdel-Fattah
Why this book is worth considering:
Set in Australia, this novel gives both Islamophobia and the refugee crisis center stage, forcing the reader to confront the issues head on. Compelling and interesting, it is a fast read that teens from all Western nations are likely to relate to, particularly where terrorist attacks have occurred. In fact, it may be a book that would be appropriate for a book club or family discussion, due to its important and timely themes. Another plus is that it is not a "girl's book" or a "boy's book." The story is told from the points of view of two protagonists, Michael and Mina, by alternating chapters in which they tell their side. This novel contains no sex or drugs, but it does feature a character who sleeps with a boy she likes (referenced only; non-graphic), only to be hurt afterwards when he rejects her.
Why this book may not be right for your teen:
Despite important themes and vivid storytelling, the novel has so many literary flaws that I can't describe them all here. I will limit myself to two. First, Mina is one of the most unlikable characters I have ever met. She is supposed to fit the ideal of the modern teen girl--beautiful, smart, funny, sassy, feminist, strong, blah blah blah. I wouldn't have minded the idealism so much if she hadn't also struck me as obnoxious, arrogant, judgmental, condescending, and self-righteous. If other people didn't agree with her viewpoint on Islamophobia and refugees, they were automatically her enemy, and her response was to fight them. Only if they came around to her side would she consider them decent people worth talking to--not a healthy way to relate to people, in my opinion. The other protagonist, Michael, is only a little more likable than Mina. Well-intentioned but a bland, ordinary, white teen boy, he is a model convert to Mina's views. He also (of course) falls for Mina, so the novel is also about their only sort-of-believable romance.
Second, this is a concept novel in the worst way. It is so tightly--and so obviously--structured to serve the author's underlying political agenda that I felt I was somehow reading an academic persuasive essay disguised as fiction. I know that sounds odd, but I don't know how else to describe it. At any rate, this novel is the most didactic piece of modern fiction I have ever read. The author aims to teach her readers how they should think about Islamophobia and the refugee crisis, and she does so with a single-minded intensity. Considering that the contemporary children's fiction world has frowned on didacticism for several decades now, I find it curious that the publisher didn't tone it down in this book and can only assume that Australians don't mind preachiness like Americans do.
Although I feel the novel's themes are important and deserving of probably several YA novels, the story is highly contrived--much like people create in daydreams. For that reason it fell flat for me. It would have been more powerful if it had been an open-ended, challenging exploration of these important but difficult and multi-faceted themes. Unlike most modern fiction, this novel dares to tell readers what to think, rather than challenging them to come to their own, carefully-considered conclusions.
Finally, the novel is restrained when it comes to content of concern, but it does contain vulgar language that spans the gamut of mild to strong (including blasphemy), and it does contain some underage drinking. Islam is, of course, a prominent theme, but the author doesn't get specific about Islamic doctrine. She does venture to broach the topic of Judeo-Christian cultural values in contrast to Islamic ones, but there is nothing here to challenge a teen's religious faith. The novel also contains some violence and references to past violence. Some of this is moving and important, however, and not a reason to avoid the novel.
Literary artistry: * * * * *
I would suggest this book to younger teens / older teens / all teens/ no teens.
Author Website: http://www.randaabdelfattah.com/
Reviewer: Cheri Blomquist
Why this book is worth considering:
Set in Australia, this novel gives both Islamophobia and the refugee crisis center stage, forcing the reader to confront the issues head on. Compelling and interesting, it is a fast read that teens from all Western nations are likely to relate to, particularly where terrorist attacks have occurred. In fact, it may be a book that would be appropriate for a book club or family discussion, due to its important and timely themes. Another plus is that it is not a "girl's book" or a "boy's book." The story is told from the points of view of two protagonists, Michael and Mina, by alternating chapters in which they tell their side. This novel contains no sex or drugs, but it does feature a character who sleeps with a boy she likes (referenced only; non-graphic), only to be hurt afterwards when he rejects her.
Why this book may not be right for your teen:
Despite important themes and vivid storytelling, the novel has so many literary flaws that I can't describe them all here. I will limit myself to two. First, Mina is one of the most unlikable characters I have ever met. She is supposed to fit the ideal of the modern teen girl--beautiful, smart, funny, sassy, feminist, strong, blah blah blah. I wouldn't have minded the idealism so much if she hadn't also struck me as obnoxious, arrogant, judgmental, condescending, and self-righteous. If other people didn't agree with her viewpoint on Islamophobia and refugees, they were automatically her enemy, and her response was to fight them. Only if they came around to her side would she consider them decent people worth talking to--not a healthy way to relate to people, in my opinion. The other protagonist, Michael, is only a little more likable than Mina. Well-intentioned but a bland, ordinary, white teen boy, he is a model convert to Mina's views. He also (of course) falls for Mina, so the novel is also about their only sort-of-believable romance.
Second, this is a concept novel in the worst way. It is so tightly--and so obviously--structured to serve the author's underlying political agenda that I felt I was somehow reading an academic persuasive essay disguised as fiction. I know that sounds odd, but I don't know how else to describe it. At any rate, this novel is the most didactic piece of modern fiction I have ever read. The author aims to teach her readers how they should think about Islamophobia and the refugee crisis, and she does so with a single-minded intensity. Considering that the contemporary children's fiction world has frowned on didacticism for several decades now, I find it curious that the publisher didn't tone it down in this book and can only assume that Australians don't mind preachiness like Americans do.
Although I feel the novel's themes are important and deserving of probably several YA novels, the story is highly contrived--much like people create in daydreams. For that reason it fell flat for me. It would have been more powerful if it had been an open-ended, challenging exploration of these important but difficult and multi-faceted themes. Unlike most modern fiction, this novel dares to tell readers what to think, rather than challenging them to come to their own, carefully-considered conclusions.
Finally, the novel is restrained when it comes to content of concern, but it does contain vulgar language that spans the gamut of mild to strong (including blasphemy), and it does contain some underage drinking. Islam is, of course, a prominent theme, but the author doesn't get specific about Islamic doctrine. She does venture to broach the topic of Judeo-Christian cultural values in contrast to Islamic ones, but there is nothing here to challenge a teen's religious faith. The novel also contains some violence and references to past violence. Some of this is moving and important, however, and not a reason to avoid the novel.
Literary artistry: * * * * *
I would suggest this book to younger teens / older teens / all teens/ no teens.
Author Website: http://www.randaabdelfattah.com/
Reviewer: Cheri Blomquist
See the content keys for an explanation of the numbers.
Like Water on Stone, by Dana Walrath
*YALSA Best Fiction Nomination; Notable Books for a Global Society Award winner; CBC Notable Social Studies Trade Book of the Year; Bank Street College of Education Best Book of the Year with Outstanding Merit*
Core themes: Armenian genocide of the early 20th century; survival and inner strength; loss and new beginnings
Drugs/alcohol: none
Religion/occult: The story takes place within the context of Christian Orthodox and Muslim society, addressing both religious tensions between the two faiths and religious customs/traditions. One of the protagonists, the oldest son of the central family, has antagonistic feelings and opinions against both his father and the Church.
Romance/sexuality: 1 (very mild)
Violence/abuse: Because the subject of this story is the Armenian genocide, brutal and shocking violence is central to the action. Although the story is written with teen readers in mind, the author does include some graphic detail that may be disturbing to sensitive readers. The violence includes murder, rape, and attempted rape. At one point even the children (the protagonists) must kill a man in self-defense.
Vulgarities: 2 -- The oldest boy in this story doesn't treat his elders with disrespect outwardly, but he often thinks of them in hostile ways. For example, he frequently thinks of his father as a fool, even after his death.
Literary artistry: * * * * *
Comments: The Armenian genocide of the early 20th century is little-known to the younger generations today, as the World War II Holocaust has taken center stage in history curricula and literature. Even I did not know about it until only recently. Because of that, I think this novel is an important work in the young adult genre and hope it gains momentum as not only a good read but also a possible text for literature and history programs in school.
Walrath takes the ingenious approach of telling her story through free verse poetry with a touch of magical realism. As well as giving Walrath an emotionally safe way to tell this story of such inexpressible horror (especially since she herself has ancestral ties to the genocide), her approach also serves to make the story bearable for young readers--much as Karen Hesse's prose poetry did for her Newbery Award-winning Out of the Dust. It is important for parents to understand, though, that as lovely as her writing is and although it ends on a note of hope and joy, they might need to monitor their teen's reading and offer discussion to help them process the shocking facts behind the fiction.
I would suggest this book to: younger teens / older teens / all teens / no teens.
Author website: http://danawalrath.com/
Reviewer: Cheri Blomquist
*YALSA Best Fiction Nomination; Notable Books for a Global Society Award winner; CBC Notable Social Studies Trade Book of the Year; Bank Street College of Education Best Book of the Year with Outstanding Merit*
Core themes: Armenian genocide of the early 20th century; survival and inner strength; loss and new beginnings
Drugs/alcohol: none
Religion/occult: The story takes place within the context of Christian Orthodox and Muslim society, addressing both religious tensions between the two faiths and religious customs/traditions. One of the protagonists, the oldest son of the central family, has antagonistic feelings and opinions against both his father and the Church.
Romance/sexuality: 1 (very mild)
Violence/abuse: Because the subject of this story is the Armenian genocide, brutal and shocking violence is central to the action. Although the story is written with teen readers in mind, the author does include some graphic detail that may be disturbing to sensitive readers. The violence includes murder, rape, and attempted rape. At one point even the children (the protagonists) must kill a man in self-defense.
Vulgarities: 2 -- The oldest boy in this story doesn't treat his elders with disrespect outwardly, but he often thinks of them in hostile ways. For example, he frequently thinks of his father as a fool, even after his death.
Literary artistry: * * * * *
Comments: The Armenian genocide of the early 20th century is little-known to the younger generations today, as the World War II Holocaust has taken center stage in history curricula and literature. Even I did not know about it until only recently. Because of that, I think this novel is an important work in the young adult genre and hope it gains momentum as not only a good read but also a possible text for literature and history programs in school.
Walrath takes the ingenious approach of telling her story through free verse poetry with a touch of magical realism. As well as giving Walrath an emotionally safe way to tell this story of such inexpressible horror (especially since she herself has ancestral ties to the genocide), her approach also serves to make the story bearable for young readers--much as Karen Hesse's prose poetry did for her Newbery Award-winning Out of the Dust. It is important for parents to understand, though, that as lovely as her writing is and although it ends on a note of hope and joy, they might need to monitor their teen's reading and offer discussion to help them process the shocking facts behind the fiction.
I would suggest this book to: younger teens / older teens / all teens / no teens.
Author website: http://danawalrath.com/
Reviewer: Cheri Blomquist
See the content keys for an explanation of the numbers.
The List, by Siobhan Vivian
*Junior Library Guild Selection; Kirkus Reviews Best Teen Books of 2012; YALSA 2013 Best Fiction for Young Adults; IRA Young Adults’ Choices, 2013*
Core themes: judgment of others based on physical appearance; navigating new situations and friendships; sibling relationships; labeling people; extreme dieting
Drugs/alcohol: drinking and smoking cigarettes at a pre-homecoming party; a girl steals a bottle of vodka to bring to the party; girls drinking rum before the homecoming dance
Religion/occult: none
Romance/sexuality: 1, 2
Violence/abuse: none
Vulgarities: 1, 3, 4 Note: There is a little more swearing in this book than I am used to in YA fiction, but it is limited to certain characters as part of their personality.
Literary artistry: * * * * *
Comments: The List is an honest portrayal of the teen social caste-system that plays out daily in most high schools. The lives of eight girls change dramatically as each one makes it onto a yearly list as either the prettiest or ugliest in their class. One might assume that those chosen as “prettiest” have the easiest time and those picked as “ugliest” have it the worst, but the attitude of each girl makes their journey unique and life-changing. One of the girls takes being labeled the prettiest to extreme levels by constant dieting and self-criticism. She justifies her behavior by telling herself and her impressionable sister that people expect a lot from someone labeled "prettiest." How each girl and the people around her react to the list is both telling and provocative. There is nothing like being labeled to help you see who your real friends are.
I would suggest this book to: younger teens / older teens / all teens / no teens.
Author website: http://www.siobhanvivian.com
*Junior Library Guild Selection; Kirkus Reviews Best Teen Books of 2012; YALSA 2013 Best Fiction for Young Adults; IRA Young Adults’ Choices, 2013*
Core themes: judgment of others based on physical appearance; navigating new situations and friendships; sibling relationships; labeling people; extreme dieting
Drugs/alcohol: drinking and smoking cigarettes at a pre-homecoming party; a girl steals a bottle of vodka to bring to the party; girls drinking rum before the homecoming dance
Religion/occult: none
Romance/sexuality: 1, 2
Violence/abuse: none
Vulgarities: 1, 3, 4 Note: There is a little more swearing in this book than I am used to in YA fiction, but it is limited to certain characters as part of their personality.
Literary artistry: * * * * *
Comments: The List is an honest portrayal of the teen social caste-system that plays out daily in most high schools. The lives of eight girls change dramatically as each one makes it onto a yearly list as either the prettiest or ugliest in their class. One might assume that those chosen as “prettiest” have the easiest time and those picked as “ugliest” have it the worst, but the attitude of each girl makes their journey unique and life-changing. One of the girls takes being labeled the prettiest to extreme levels by constant dieting and self-criticism. She justifies her behavior by telling herself and her impressionable sister that people expect a lot from someone labeled "prettiest." How each girl and the people around her react to the list is both telling and provocative. There is nothing like being labeled to help you see who your real friends are.
I would suggest this book to: younger teens / older teens / all teens / no teens.
Author website: http://www.siobhanvivian.com
London Eye, by Tim Lebbon (Toxic City series, book 1)
*Bookworm Best Awards finalist, 2013*
Why this book is worth considering:
I do not like dystopian literature, so it is a little difficult for me to tell whether this story qualifies as a good one. That said, I think that dystopian fans will enjoy the start of this series, which is set in a London that has been devastated by a biological weapon unleashed by a terrorist (who does not fit today's typical profile). Fast-paced and action-packed, it follows a groups of teens as they try to find family and friends in a city full of dangers that they are only beginning to understand. For reluctant readers this novel may be a good choice, not only because it contains both male and female protagonists, but also because it is short.
Why this book may not be right for your teen:
To be honest, I did not understand all of the story. I attribute that more to my disinterest in dystopian fiction than to the author's shortcomings, but I don't really know for sure. Being the first in a series, it may be that my confusion would be cleared up in the sequels; however, I do not intend to read them. Concerned parents should be aware, though, that the novel is unusually violent for a YA novel and graphically so. The most disturbing example, perhaps, is one I don't feel I can even describe here; it is that gruesome. In fact, the movie reminds me of adult action movies where blood and guts are gleefully spattered for the audience's enjoyment. The book is lighter on swearing and sex, but both are present. The sex, however, is referenced or vague, not graphic like the violence (at least in this volume!). Religion is present only in a contextual way, because a couple of scenes take place in abandoned churches. Generally speaking, London Eye is dark and grim and not for sensitive teens.
Literary artistry: * * * * *
I would suggest this book to younger teens / older teens / all teens/ no teens.
Author Website: http://www.timlebbon.net/
Reviewer: Cheri Blomquist
*Bookworm Best Awards finalist, 2013*
Why this book is worth considering:
I do not like dystopian literature, so it is a little difficult for me to tell whether this story qualifies as a good one. That said, I think that dystopian fans will enjoy the start of this series, which is set in a London that has been devastated by a biological weapon unleashed by a terrorist (who does not fit today's typical profile). Fast-paced and action-packed, it follows a groups of teens as they try to find family and friends in a city full of dangers that they are only beginning to understand. For reluctant readers this novel may be a good choice, not only because it contains both male and female protagonists, but also because it is short.
Why this book may not be right for your teen:
To be honest, I did not understand all of the story. I attribute that more to my disinterest in dystopian fiction than to the author's shortcomings, but I don't really know for sure. Being the first in a series, it may be that my confusion would be cleared up in the sequels; however, I do not intend to read them. Concerned parents should be aware, though, that the novel is unusually violent for a YA novel and graphically so. The most disturbing example, perhaps, is one I don't feel I can even describe here; it is that gruesome. In fact, the movie reminds me of adult action movies where blood and guts are gleefully spattered for the audience's enjoyment. The book is lighter on swearing and sex, but both are present. The sex, however, is referenced or vague, not graphic like the violence (at least in this volume!). Religion is present only in a contextual way, because a couple of scenes take place in abandoned churches. Generally speaking, London Eye is dark and grim and not for sensitive teens.
Literary artistry: * * * * *
I would suggest this book to younger teens / older teens / all teens/ no teens.
Author Website: http://www.timlebbon.net/
Reviewer: Cheri Blomquist
See the content keys for an explanation of the numbers.
The Lonely Hearts Club, by Elizabeth Eulberg
*translated into 14 languages*
Core themes: being true to your values, not changing who you are so a boy will like you, friendship, popularity and its pitfalls
Drugs/alcohol: two instances of teen drinking; both have negative effects and embarrass the people who were drinking
Religion/occult: none
Romance/sexuality: 1, 2 –- relatively mild, nothing graphic. The main occurrence is at the beginning of book which precipitates the creation of the Lonely Hearts Club and the protagonist deciding not to date boys for the remaining two years of high school.
Violence/abuse: A drunken boy grabs the protagonist’s wrist and twists it.
Vulgarities: 4 –- mild
Literary artistry: * * * * *
Comments: The Lonely Hearts Club is about a girl who swears off dating high-school boys after she gets her heart broken. She unintentionally starts a movement in school amongst the girls, and her club number swells from 1 to over 30. This was an insightful read and has good advice for teenage girls about not living only to impress boys. While there are some serious moments, it is mostly a light-hearted, fun read with a positive message for girls.
I would suggest this book to: younger teens / older teens / all teens / no teens. Note: I would say 14+ would be appropriate.
Author website: http://www.elizabetheulberg.com/
Reviewer: Annika Holland
*translated into 14 languages*
Core themes: being true to your values, not changing who you are so a boy will like you, friendship, popularity and its pitfalls
Drugs/alcohol: two instances of teen drinking; both have negative effects and embarrass the people who were drinking
Religion/occult: none
Romance/sexuality: 1, 2 –- relatively mild, nothing graphic. The main occurrence is at the beginning of book which precipitates the creation of the Lonely Hearts Club and the protagonist deciding not to date boys for the remaining two years of high school.
Violence/abuse: A drunken boy grabs the protagonist’s wrist and twists it.
Vulgarities: 4 –- mild
Literary artistry: * * * * *
Comments: The Lonely Hearts Club is about a girl who swears off dating high-school boys after she gets her heart broken. She unintentionally starts a movement in school amongst the girls, and her club number swells from 1 to over 30. This was an insightful read and has good advice for teenage girls about not living only to impress boys. While there are some serious moments, it is mostly a light-hearted, fun read with a positive message for girls.
I would suggest this book to: younger teens / older teens / all teens / no teens. Note: I would say 14+ would be appropriate.
Author website: http://www.elizabetheulberg.com/
Reviewer: Annika Holland
See the content keys for an explanation of the numbers.
A Long Walk to Water, by Linda Sue Park
*Top 10 Books for Youth, historical fiction: 2011; IRA Notable Books for a Global Society 2011; Booklist Lasting Connections of 2010, Social Studies; 2011 Jane Addams Children's Book Award (NY); 2012 Black-Eyed Susan Award Nominee (MA); 2012 Flicker Tale Children's Book Award (ND); 2012 Great Lakes Book Award Nominee (MI); 2012 Kentucky Blue Grass Award Nominee; 2012 Maine Student Book Award Nominee; 2013 Golden Sower Award Nominee (NE); 2013 South Carolina Association of School Librarians Award Nominee; 2013 Young Hoosier Book Award Nominee (IN)*
Core themes: the strength of the human spirit to survive, help others, and find meaning in life in the face of great evil; civil war in Sudan and its devastating effects on ordinary citizens; the wonder and delight that can be found in the most basic natural resources, such as waater
Drugs/alcohol: none
Religion/occult: none
Romance/sexuality: none
Violence/abuse: For a juvenile novel A Long Walk to Water is unusually and surprisingly violent. Most violence of this nature is reserved for teen and adult novels. Younger and sensitive readers may not be ready for it, so parents need to consider carefully whether the novel is appropriate for this reason. Parents could also read the novel aloud, paraphrasing the violent scenes, a suggestion I recommend because of the excellence and value of the novel as a whole. Violent situations include the following: war breaking out with shootings around civilians; Salva's uncle is shot; mass deaths when hundreds of refugees flee soldiers by running into a river and either drown, are shot, or are attacked by crocodiles; Salva's friend is taken in the night by a lion (non-graphic). There may be more situations that I have forgotten, as I did not decide to review the novel until I was more than halfway through, but these are the worst of them.
Vulgarities: none
Literary artistry: * * * * *
Comments: Initially I picked this up only because of personal interest; I had no intention of reviewing it, because it is very short and written at a middle-grade reading level. I soon had to change my mind, though, for this powerful true story is meaningful for tweens, teens, and even adults. Although the protagonist, Salva Dut, is only 11 in the first half of the story, he is a teen and young adult for the second half of it. I highly recommend Salva's story as an example of what young people can accomplish with little but their courage, tenacity, and will to succeed against impossible odds. Read this story together--you and your teen will never forget this inspiring young man!
Author website: http://www.lspark.com/index.html
Reviewer: Cheri Blomquist
*Top 10 Books for Youth, historical fiction: 2011; IRA Notable Books for a Global Society 2011; Booklist Lasting Connections of 2010, Social Studies; 2011 Jane Addams Children's Book Award (NY); 2012 Black-Eyed Susan Award Nominee (MA); 2012 Flicker Tale Children's Book Award (ND); 2012 Great Lakes Book Award Nominee (MI); 2012 Kentucky Blue Grass Award Nominee; 2012 Maine Student Book Award Nominee; 2013 Golden Sower Award Nominee (NE); 2013 South Carolina Association of School Librarians Award Nominee; 2013 Young Hoosier Book Award Nominee (IN)*
Core themes: the strength of the human spirit to survive, help others, and find meaning in life in the face of great evil; civil war in Sudan and its devastating effects on ordinary citizens; the wonder and delight that can be found in the most basic natural resources, such as waater
Drugs/alcohol: none
Religion/occult: none
Romance/sexuality: none
Violence/abuse: For a juvenile novel A Long Walk to Water is unusually and surprisingly violent. Most violence of this nature is reserved for teen and adult novels. Younger and sensitive readers may not be ready for it, so parents need to consider carefully whether the novel is appropriate for this reason. Parents could also read the novel aloud, paraphrasing the violent scenes, a suggestion I recommend because of the excellence and value of the novel as a whole. Violent situations include the following: war breaking out with shootings around civilians; Salva's uncle is shot; mass deaths when hundreds of refugees flee soldiers by running into a river and either drown, are shot, or are attacked by crocodiles; Salva's friend is taken in the night by a lion (non-graphic). There may be more situations that I have forgotten, as I did not decide to review the novel until I was more than halfway through, but these are the worst of them.
Vulgarities: none
Literary artistry: * * * * *
Comments: Initially I picked this up only because of personal interest; I had no intention of reviewing it, because it is very short and written at a middle-grade reading level. I soon had to change my mind, though, for this powerful true story is meaningful for tweens, teens, and even adults. Although the protagonist, Salva Dut, is only 11 in the first half of the story, he is a teen and young adult for the second half of it. I highly recommend Salva's story as an example of what young people can accomplish with little but their courage, tenacity, and will to succeed against impossible odds. Read this story together--you and your teen will never forget this inspiring young man!
Author website: http://www.lspark.com/index.html
Reviewer: Cheri Blomquist
See the content keys for an explanation of the numbers.
Looking for Alaska, by John Green
*Winner of the 2006 Michael L. Printz Award, Los Angeles Times Book Prize Finalist, NYT Bestseller; translated into 15 languages*
Core themes: "The Great Perhaps"--Life is full of possibilities, and each of us has the opportunity to seek our own fulfillment -- What is the meaning of life, and how do we escape from the 'labyrinth of suffering"? -- the consequences of drunk driving and suicide, as well as the guilt and pain it inflicts on those left behind -- Small actions can have big consequences. -- What happens after we die? -- We must forgive both ourselves and others in order to survive. -- Life with its suffering is better than death with its release.
Drugs/alcohol: The main characters of this novel were all teens and all of them frequently drank alcohol (wine, vodka, etc.) and smoked cigarettes. Pot made a couple of entrances, too. During Thanksgiving dinner one character's mother gives him and his school friends wine with the meal
Religion/occult: Religion is a major subject of the novel, because one of the major themes is the struggle we all face in determining how we will live and what we believe regarding the afterlife. Miles' favorite class, World Religions, is the vehicle for many of his musings on life and death, and all of the religions being studied throughout the year offer him wisdom as he struggles to deal with various things, most notably the death (and likely suicide) of one of the main characters. No religion is presented as better or more truthful than any of the others, and Miles himself refers to his lack of religious belief several times--although at one point he decides he must be Christian, because he's been to church about four times and never to any other house of worship. In the end he presents his views on life, suffering, and death in a required final paper for World Religions that sums up his musings throughout this year of self-discovery and searching for life's meaning. His conclusions are hopeful but only for those who share his (the author's?) non-religious (not anti-religious) viewpoints. This may sadden, confuse, or distress some religious readers; for others, it may simply give helpful insights into the non-religious perspective.
Romance/sexuality: 1, 2, 3 -- Note: It is important to stress that the sexual content in this novel is more graphic and pervasive than is typical of YA literature and even includes a graphic description of a scene from a pornographic movie that Miles and Alaska watch together. None of the sexual content is romantic and beautiful but is instead edgy and vulgar.
Violence/abuse: One main character hates his father with a passion; this same character tells how his dad "always hit him with the books in his house." A another main character dies in a violent drunk driving accident (which may or may not have been a suicide). There is also a graphic (but not gruesome) account of how a main character's mother died when she was a child.
Vulgarities: 1, 2, 3, 4, 5, 7 -- pervasive, all categories
Literary artistry: * * * * *
Comments: This novel is the perfect example of how sometimes we must choose between great literature and a clean conscience. We cannot always have both. I struggle with this novel because it is probably one of the best-written novels I have read, if I am to be completely objective and judge it on its literary/artistic merit. It is deep, profound, multi-layered--a great novel for discussion and reflection. At the same time, it is so full of swearing, drinking, sex, and other mature content that I feel it is actually more appropriate for adults than for teens, although the characters and storyline will appeal to teens the most.
As I read the novel, I at first felt the novel was absolutely revolting. The characters are unappealing and depraved to me, engaging in the worst kind of behavior and exhibiting a complete lack of integrity and sound moral compass. As the novel went on, though, I began to see the characters as just terribly sad and lost, lacking the direction, love, and hope that they needed to be spiritually and morally healthy. To me, this is a novel of despair and sorrow. Though many teens may relate to the characters and situations in ways I cannot as an adult, the novel is not one of entertainment and fun, though there are many light moments. It is a novel of tragedy, searching, and a desperate clinging to what to me is empty hope.
I would suggest this book to younger teens / older teens / all teens / no teens. Note: I am not sure which is the best recommendation to make for this novel. If your teens reads it, be aware that some content is very adult!
Author website: http://johngreenbooks.com/
Reviewer: Cheri Blomquist
*Winner of the 2006 Michael L. Printz Award, Los Angeles Times Book Prize Finalist, NYT Bestseller; translated into 15 languages*
Core themes: "The Great Perhaps"--Life is full of possibilities, and each of us has the opportunity to seek our own fulfillment -- What is the meaning of life, and how do we escape from the 'labyrinth of suffering"? -- the consequences of drunk driving and suicide, as well as the guilt and pain it inflicts on those left behind -- Small actions can have big consequences. -- What happens after we die? -- We must forgive both ourselves and others in order to survive. -- Life with its suffering is better than death with its release.
Drugs/alcohol: The main characters of this novel were all teens and all of them frequently drank alcohol (wine, vodka, etc.) and smoked cigarettes. Pot made a couple of entrances, too. During Thanksgiving dinner one character's mother gives him and his school friends wine with the meal
Religion/occult: Religion is a major subject of the novel, because one of the major themes is the struggle we all face in determining how we will live and what we believe regarding the afterlife. Miles' favorite class, World Religions, is the vehicle for many of his musings on life and death, and all of the religions being studied throughout the year offer him wisdom as he struggles to deal with various things, most notably the death (and likely suicide) of one of the main characters. No religion is presented as better or more truthful than any of the others, and Miles himself refers to his lack of religious belief several times--although at one point he decides he must be Christian, because he's been to church about four times and never to any other house of worship. In the end he presents his views on life, suffering, and death in a required final paper for World Religions that sums up his musings throughout this year of self-discovery and searching for life's meaning. His conclusions are hopeful but only for those who share his (the author's?) non-religious (not anti-religious) viewpoints. This may sadden, confuse, or distress some religious readers; for others, it may simply give helpful insights into the non-religious perspective.
Romance/sexuality: 1, 2, 3 -- Note: It is important to stress that the sexual content in this novel is more graphic and pervasive than is typical of YA literature and even includes a graphic description of a scene from a pornographic movie that Miles and Alaska watch together. None of the sexual content is romantic and beautiful but is instead edgy and vulgar.
Violence/abuse: One main character hates his father with a passion; this same character tells how his dad "always hit him with the books in his house." A another main character dies in a violent drunk driving accident (which may or may not have been a suicide). There is also a graphic (but not gruesome) account of how a main character's mother died when she was a child.
Vulgarities: 1, 2, 3, 4, 5, 7 -- pervasive, all categories
Literary artistry: * * * * *
Comments: This novel is the perfect example of how sometimes we must choose between great literature and a clean conscience. We cannot always have both. I struggle with this novel because it is probably one of the best-written novels I have read, if I am to be completely objective and judge it on its literary/artistic merit. It is deep, profound, multi-layered--a great novel for discussion and reflection. At the same time, it is so full of swearing, drinking, sex, and other mature content that I feel it is actually more appropriate for adults than for teens, although the characters and storyline will appeal to teens the most.
As I read the novel, I at first felt the novel was absolutely revolting. The characters are unappealing and depraved to me, engaging in the worst kind of behavior and exhibiting a complete lack of integrity and sound moral compass. As the novel went on, though, I began to see the characters as just terribly sad and lost, lacking the direction, love, and hope that they needed to be spiritually and morally healthy. To me, this is a novel of despair and sorrow. Though many teens may relate to the characters and situations in ways I cannot as an adult, the novel is not one of entertainment and fun, though there are many light moments. It is a novel of tragedy, searching, and a desperate clinging to what to me is empty hope.
I would suggest this book to younger teens / older teens / all teens / no teens. Note: I am not sure which is the best recommendation to make for this novel. If your teens reads it, be aware that some content is very adult!
Author website: http://johngreenbooks.com/
Reviewer: Cheri Blomquist
The Lorien Legacies, by Pittacus Lore
Please see the review for I Am Number Four.
Addendum--notes on The Fall of Five by Pittacus Lore (Book 4 in The Lorien Legacies):
In The Fall of Five there is a shift from a lot of action and battles to the building of relationships among the Lorien Legacies and their human friends. This book definitely feels like a “middle book” in a series. It needs to establish some key plot points and there isn’t a whole lot going on to push the plot forward. It suffers a little because of this, but most fans will realize it is necessary and wait patiently for the next installment. Overall, the level of violence remains about the same, but there are a few more instances of swearing, including the f-word by one specific character. There is one instance of a couple sleeping in the same bed together, but it is just sleeping--for now, anyway
Please see the review for I Am Number Four.
Addendum--notes on The Fall of Five by Pittacus Lore (Book 4 in The Lorien Legacies):
In The Fall of Five there is a shift from a lot of action and battles to the building of relationships among the Lorien Legacies and their human friends. This book definitely feels like a “middle book” in a series. It needs to establish some key plot points and there isn’t a whole lot going on to push the plot forward. It suffers a little because of this, but most fans will realize it is necessary and wait patiently for the next installment. Overall, the level of violence remains about the same, but there are a few more instances of swearing, including the f-word by one specific character. There is one instance of a couple sleeping in the same bed together, but it is just sleeping--for now, anyway
See the content keys for an explanation of the numbers.
The Lost Hero, by Rick Riordan (The Heroes of Olympus series, book 1)
*#1 NYT bestseller, #1 USA Today bestseller, #1 Wall Street Journal bestseller, #1 Indiebound bestseller, #1 UK bestseller*
Core themes: friendship, family, self-preservation, and saving the world
Drugs/alcohol: a brief mention of the main character’s mom being drunk.
Religion/occult: a modern twist on Greek mythology
Romance/sexuality: 1
Violence/abuse: exciting fantasy battles, nothing gory
Vulgarities: 1
Literary artistry: * * * * *
Comments: The first installment of the Heroes of Olympus series picks up right where the last Percy Jackson book left off. The Lost Hero follows three demigods--Jason, Piper, and Leo--on their quest to save the world. This book is very exciting, action-packed, and humorous. I really love Riordan’s take Greek mythology. The information is accurate, yet he finishes off some stories in his own way. I loved reading this book, and I couldn't put it down as soon as I opened it. A small word of warning, this book may be confusing if you haven’t read the Percy Jackson and the Olympians book series.
I would suggest this book to: younger teens / older teens / all teens / no teens.
Author Website: http://www.rickriordan.com/home.aspx
Reviewer: Ashley Holland
*#1 NYT bestseller, #1 USA Today bestseller, #1 Wall Street Journal bestseller, #1 Indiebound bestseller, #1 UK bestseller*
Core themes: friendship, family, self-preservation, and saving the world
Drugs/alcohol: a brief mention of the main character’s mom being drunk.
Religion/occult: a modern twist on Greek mythology
Romance/sexuality: 1
Violence/abuse: exciting fantasy battles, nothing gory
Vulgarities: 1
Literary artistry: * * * * *
Comments: The first installment of the Heroes of Olympus series picks up right where the last Percy Jackson book left off. The Lost Hero follows three demigods--Jason, Piper, and Leo--on their quest to save the world. This book is very exciting, action-packed, and humorous. I really love Riordan’s take Greek mythology. The information is accurate, yet he finishes off some stories in his own way. I loved reading this book, and I couldn't put it down as soon as I opened it. A small word of warning, this book may be confusing if you haven’t read the Percy Jackson and the Olympians book series.
I would suggest this book to: younger teens / older teens / all teens / no teens.
Author Website: http://www.rickriordan.com/home.aspx
Reviewer: Ashley Holland
The Lost Property Office, by James R. Hannibal (Section 13 Series, #1)
*BEA Buzz Book Thriller Award nominee, 2016; Book Expo America potential bestseller finalist*
Why this book is worth considering:
Good clean fun and thrills--that's what this book is all about. Set in modern London but dovetailing frequently with the past, especially 1666 (the year of the Great Fire of London), reading this fast-paced tale is like enjoying a thrilling Disney fantasy--except in print. The novel takes place in one day and doesn't slow the ride down until the very end. If your child just wants a good leisure read, this is a safe bet for just about everyone. It even has both a girl and boy protagonist, so it will appeal to all young teens. Older teens might enjoy it, too, but keep in mind that this is a middle grade novel about younger teens.
Why this book may not be right for your teen:
Really, unless you are against fantasy on principle, nothing in this book is likely to raise a red flag. For those who keep their children away from any sort of magic, even the fairy tale kind, it is worth pointing out that as magical as the book seems, the story takes pains to convey that everything that appears to be magic is really just mysterious scientific principles at work. The novel contains no swearing and no abuse, drinking, or drugs. It also features only Disney-like violence and only the merest hint of romance between Gwen and Jack. The writing is sometimes excellent and sometimes awkward, and sometimes I had a hard time visualizing the settings and action. For these reasons I doubt it will become a classic, but I felt its merits outweighed its weaknesses.
Literary artistry: * * * * *
I would suggest this book to younger teens / older teens / all teens/ no teens.
Author Website: http://thelostpropertyoffice.com/
Reviewer: Cheri Blomquist
*BEA Buzz Book Thriller Award nominee, 2016; Book Expo America potential bestseller finalist*
Why this book is worth considering:
Good clean fun and thrills--that's what this book is all about. Set in modern London but dovetailing frequently with the past, especially 1666 (the year of the Great Fire of London), reading this fast-paced tale is like enjoying a thrilling Disney fantasy--except in print. The novel takes place in one day and doesn't slow the ride down until the very end. If your child just wants a good leisure read, this is a safe bet for just about everyone. It even has both a girl and boy protagonist, so it will appeal to all young teens. Older teens might enjoy it, too, but keep in mind that this is a middle grade novel about younger teens.
Why this book may not be right for your teen:
Really, unless you are against fantasy on principle, nothing in this book is likely to raise a red flag. For those who keep their children away from any sort of magic, even the fairy tale kind, it is worth pointing out that as magical as the book seems, the story takes pains to convey that everything that appears to be magic is really just mysterious scientific principles at work. The novel contains no swearing and no abuse, drinking, or drugs. It also features only Disney-like violence and only the merest hint of romance between Gwen and Jack. The writing is sometimes excellent and sometimes awkward, and sometimes I had a hard time visualizing the settings and action. For these reasons I doubt it will become a classic, but I felt its merits outweighed its weaknesses.
Literary artistry: * * * * *
I would suggest this book to younger teens / older teens / all teens/ no teens.
Author Website: http://thelostpropertyoffice.com/
Reviewer: Cheri Blomquist
Love, Life, and the List, by Kasie West
Why this book is worth considering:
Aside from suspenseful ones, this is the kind of YA fiction I really enjoy--serious without being edgy and dark and with a healthy dose of humor mixed in. It's light and easy to read, perfect for leisure or travel. Best of all, it's clean! I don't recall a single swear word or even a "God." Although I could be forgetting one, the point is that this novel is clear of all the language, sex, violence, abuse, and other mature content that most contemporary YA writers seem to be unable to avoid. Kasie West shows that it can be done. Yes, there is romance; yes, there are some serious, mature themes--but West manages to make us readers think without hitting us over the head with them. This is why I labeled this for "all teens." Although the main characters are older teens, younger teens may be ready for this tale anyway.
Why this book may not be right for your teen:
Honestly, there isn't much to worry about here. All I can remember is a single, graphic French kiss and an emotional lingering of the girl protagonist on the male protagonist's physique. If your teen can handle a sweet romance with themes about growing up, this may be a good fit.
Literary artistry: * * * * *
I would suggest this book to younger teens / older teens / all teens/ no teens.
Author Website: http://www.kasiewest.com/
Reviewer: Cheri Blomquist
Why this book is worth considering:
Aside from suspenseful ones, this is the kind of YA fiction I really enjoy--serious without being edgy and dark and with a healthy dose of humor mixed in. It's light and easy to read, perfect for leisure or travel. Best of all, it's clean! I don't recall a single swear word or even a "God." Although I could be forgetting one, the point is that this novel is clear of all the language, sex, violence, abuse, and other mature content that most contemporary YA writers seem to be unable to avoid. Kasie West shows that it can be done. Yes, there is romance; yes, there are some serious, mature themes--but West manages to make us readers think without hitting us over the head with them. This is why I labeled this for "all teens." Although the main characters are older teens, younger teens may be ready for this tale anyway.
Why this book may not be right for your teen:
Honestly, there isn't much to worry about here. All I can remember is a single, graphic French kiss and an emotional lingering of the girl protagonist on the male protagonist's physique. If your teen can handle a sweet romance with themes about growing up, this may be a good fit.
Literary artistry: * * * * *
I would suggest this book to younger teens / older teens / all teens/ no teens.
Author Website: http://www.kasiewest.com/
Reviewer: Cheri Blomquist
Lovely War, by Julie Berry
*A New York Times Bestseller; Wall Street Journal Best Children's Books of 2019; 2020 SCBWI Golden Kite Award for Young Adult Fiction; Bulletin of the Center for Children's Books 2019 Blue Ribbon; Kirkus Best YA Romances of 2019; Shelf Awareness 2019 Best Children's & Teen Books of the Year; BuzzFeed Best Young Adult Books of 2019 (#7 out of 31 books); The Young Folks Best Historical YA Fiction of 2019*
This is one of the few books I could not bring myself to finish, which is why this review looks different from others. At first I was confused, because the frame story involving the Greek gods Aphrodite, Ares, and Apollo didn't make much sense. They told the main story by turns and in first person as part of an argument they were having. But when Aphrodite began telling the story of two sets of young lovers (about 18-20 years old) during World War I, I was hooked. Every time the frame story continued, I hurried through it, because I didn't find it either interesting or important. The romances were lovely and relatable, though, and I wanted to find out what happened to the lovers. So far, so good.
Then I began to come across troubling lines, like these as Aphrodite is telling her part of the story:
"God, keep him safe," Hazel whispered. But it was out of my hands.
Poor lamb.
And these, again spoken by Aphrodite:
He'd never have met her, if it wasn't for the war. And now the war had torn them apart.
"The War giveth, and the War taketh away. Blessed be the name of the War."
Notice how "War" is capitalized and mirrors Job 1:21 from the Bible. The word replaces "Lord" to refer to Ares, not God. Yikes.
I continued to read, doing my best to ignore what amounted to little blips throughout the narrative. I just wanted to find out what happened to the suffering, pure-hearted lovers--Hazel and James, Aubrey and Colette. Then Hades, the god of the underworld, entered the frame story as a Catholic priest, claiming he always took on the roles that suited him best for his purposes and that he spent much of one century as "quite a good" abbot of a Catholic monastery. Again, I was disturbed but read on, determining to continue ignoring the overlay of Greek paganism over the stories happening in the real, Christian world of the 20th century. The story was otherwise quite clean, if a little violent at times (due to the war), and there was very little swearing. Even the lovers' kisses were chaste and genuinely loving.
Then I came to this chapter. Below is the entirety of the chapter, "December 1942: An Answered Prayer":
"Thank God," sighs Ares.
Aphrodite says, "You're welcome."
And with that blasphemy, I couldn't stomach any more. I sorely wished I had borrowed it from the library, rather than helping the author make money from it. As much as I was enjoying the story and want to find out what happened, to me the novel was extremely offensive and amounted to nothing more than another effort to teach impressionable teens that Christianity (and perhaps all religion) amounts only to mythology.
If you are not religious or consider stories nothing more than that, Lovely War is a lovely novel. The author didn't do well with creating distinctive voices for each of her narrators, but other than that, it is a tale that many teens (especially girls) will enjoy. Of course, I only read about half of it, so I can't say what I'd think if I'd finished it. Maybe I'd change my mind about that. But for me it isn't worth finishing, for it illustrates powerfully what profound disrespect publishers and authors have for their religious readers. If there was ever a lesson in what interests these people have at heart for your children, this is it.
Literary artistry: * * * * *
I would suggest this book to younger teens / older teens / all teens / no teens.
Author Website: http://www.julieberrybooks.com/
Reviewer: Cheri Blomquist
*A New York Times Bestseller; Wall Street Journal Best Children's Books of 2019; 2020 SCBWI Golden Kite Award for Young Adult Fiction; Bulletin of the Center for Children's Books 2019 Blue Ribbon; Kirkus Best YA Romances of 2019; Shelf Awareness 2019 Best Children's & Teen Books of the Year; BuzzFeed Best Young Adult Books of 2019 (#7 out of 31 books); The Young Folks Best Historical YA Fiction of 2019*
This is one of the few books I could not bring myself to finish, which is why this review looks different from others. At first I was confused, because the frame story involving the Greek gods Aphrodite, Ares, and Apollo didn't make much sense. They told the main story by turns and in first person as part of an argument they were having. But when Aphrodite began telling the story of two sets of young lovers (about 18-20 years old) during World War I, I was hooked. Every time the frame story continued, I hurried through it, because I didn't find it either interesting or important. The romances were lovely and relatable, though, and I wanted to find out what happened to the lovers. So far, so good.
Then I began to come across troubling lines, like these as Aphrodite is telling her part of the story:
"God, keep him safe," Hazel whispered. But it was out of my hands.
Poor lamb.
And these, again spoken by Aphrodite:
He'd never have met her, if it wasn't for the war. And now the war had torn them apart.
"The War giveth, and the War taketh away. Blessed be the name of the War."
Notice how "War" is capitalized and mirrors Job 1:21 from the Bible. The word replaces "Lord" to refer to Ares, not God. Yikes.
I continued to read, doing my best to ignore what amounted to little blips throughout the narrative. I just wanted to find out what happened to the suffering, pure-hearted lovers--Hazel and James, Aubrey and Colette. Then Hades, the god of the underworld, entered the frame story as a Catholic priest, claiming he always took on the roles that suited him best for his purposes and that he spent much of one century as "quite a good" abbot of a Catholic monastery. Again, I was disturbed but read on, determining to continue ignoring the overlay of Greek paganism over the stories happening in the real, Christian world of the 20th century. The story was otherwise quite clean, if a little violent at times (due to the war), and there was very little swearing. Even the lovers' kisses were chaste and genuinely loving.
Then I came to this chapter. Below is the entirety of the chapter, "December 1942: An Answered Prayer":
"Thank God," sighs Ares.
Aphrodite says, "You're welcome."
And with that blasphemy, I couldn't stomach any more. I sorely wished I had borrowed it from the library, rather than helping the author make money from it. As much as I was enjoying the story and want to find out what happened, to me the novel was extremely offensive and amounted to nothing more than another effort to teach impressionable teens that Christianity (and perhaps all religion) amounts only to mythology.
If you are not religious or consider stories nothing more than that, Lovely War is a lovely novel. The author didn't do well with creating distinctive voices for each of her narrators, but other than that, it is a tale that many teens (especially girls) will enjoy. Of course, I only read about half of it, so I can't say what I'd think if I'd finished it. Maybe I'd change my mind about that. But for me it isn't worth finishing, for it illustrates powerfully what profound disrespect publishers and authors have for their religious readers. If there was ever a lesson in what interests these people have at heart for your children, this is it.
Literary artistry: * * * * *
I would suggest this book to younger teens / older teens / all teens / no teens.
Author Website: http://www.julieberrybooks.com/
Reviewer: Cheri Blomquist
The Lunar Chronicles, by Marissa Meyer (Cinder, Scarlet, Cress, Fairest, Winter)
*Cinder awards: 2013 Capitol Choices: Noteworthy Books for Children and Teens--14 & up; 2013 Indies Choice Book Award--young adult honor book; 2013 Isinglass Teen Read Award--gr. 6-8 nominee; 2013 South Carolina Children's, Junior and Young Adult Book Award--young adult nominee; 2013 Tayshas Reading--young adult commended; 2013 Texas Lone Star Reading List--young adult commended; 2014 Beehive Award--young adult nominee; 2014 Charlotte Award -- high school/gr. 9-12 winner; 2014 Grand Canyon Reader Award--teen (recommended); 2014 Iowa teen award--young adult nominee; 2014 Kentucky Bluegrass Award--gr. 6-8 nominee; 2014 Pennsylvania Young Reader's Choice Award--young adult nominee; 2014 Rhode Island Teen Book Award--ages 12 & up nominee; 2014 Sunshine State Young Reader's Award--gr. 6-8 nominee; 2014 Truman Readers Award--gr. 6-8 3rd place; 2014 Volunteer State Book Award--high school nominee; 2014 Volunteer State Book Award--middle school nominee; 2015 Colorado Blue Spruce Award--young adult winner; 2015 Evergreen Young Adult Book Award nominee; 2015 Golden Sower Award--young adult nominee; 2015 Maud Hart Lovelace Book Award--gr. 6-8 2nd place; 2015 Sequoyah Book Award--high school nominee; 2015 Sequoyah Book Award--intermediate nominee; 2015 Virginia Readers Choice Award--middle school nominee; 2015 Young Hoosier Book Award--middle grades nominee; 2015 Young Reader's Choice Award--intermediate/gr. 7-9 nominee; 2016 California Young Reader Medal--young adult nominee; 2016 Nutmeg Book Award--teen nominee; 2016 Rebecca Caudill Young Readers Book Award--gr. 4-8 nominee
Cress awards: 2015 Audies--teen finalist
Scarlet awards: 2015 Grand Canyon Award--teen winner*
Why this book is worth considering:
I read these books about 3 years ago, and when I read them again this summer the journey through the series was no less captivating. The series is set in the future and the characters are from the fairy tales we are so familiar with. Their tales become intertwined and are modified to fit this universe that they live in, making the story of The Lunar Chronicles so incredibly unique. It explores themes of good vs evil, love, self-discovery, power, manipulation, strength and more. These books combine to make a fantastical adventure that one won’t be able to put down.
Why this book may not be right for your teen:
These novels do have some very violent scenes with some graphic detail. If one is bothered with blood, gore, or sickness, this may not be the best read. It is, however, very clean as far as language (occasional blasphemy and mild swear words) and sex (the prequel, Fairest, contains only a couple scenes that are sexual, but not graphic).
Literary artistry: * * * * *
I would suggest this book to younger teens / older teens / all teens / no teens.
Author Website: https://www.marissameyer.com/
Reviewer: Ceili Blomquist
*Cinder awards: 2013 Capitol Choices: Noteworthy Books for Children and Teens--14 & up; 2013 Indies Choice Book Award--young adult honor book; 2013 Isinglass Teen Read Award--gr. 6-8 nominee; 2013 South Carolina Children's, Junior and Young Adult Book Award--young adult nominee; 2013 Tayshas Reading--young adult commended; 2013 Texas Lone Star Reading List--young adult commended; 2014 Beehive Award--young adult nominee; 2014 Charlotte Award -- high school/gr. 9-12 winner; 2014 Grand Canyon Reader Award--teen (recommended); 2014 Iowa teen award--young adult nominee; 2014 Kentucky Bluegrass Award--gr. 6-8 nominee; 2014 Pennsylvania Young Reader's Choice Award--young adult nominee; 2014 Rhode Island Teen Book Award--ages 12 & up nominee; 2014 Sunshine State Young Reader's Award--gr. 6-8 nominee; 2014 Truman Readers Award--gr. 6-8 3rd place; 2014 Volunteer State Book Award--high school nominee; 2014 Volunteer State Book Award--middle school nominee; 2015 Colorado Blue Spruce Award--young adult winner; 2015 Evergreen Young Adult Book Award nominee; 2015 Golden Sower Award--young adult nominee; 2015 Maud Hart Lovelace Book Award--gr. 6-8 2nd place; 2015 Sequoyah Book Award--high school nominee; 2015 Sequoyah Book Award--intermediate nominee; 2015 Virginia Readers Choice Award--middle school nominee; 2015 Young Hoosier Book Award--middle grades nominee; 2015 Young Reader's Choice Award--intermediate/gr. 7-9 nominee; 2016 California Young Reader Medal--young adult nominee; 2016 Nutmeg Book Award--teen nominee; 2016 Rebecca Caudill Young Readers Book Award--gr. 4-8 nominee
Cress awards: 2015 Audies--teen finalist
Scarlet awards: 2015 Grand Canyon Award--teen winner*
Why this book is worth considering:
I read these books about 3 years ago, and when I read them again this summer the journey through the series was no less captivating. The series is set in the future and the characters are from the fairy tales we are so familiar with. Their tales become intertwined and are modified to fit this universe that they live in, making the story of The Lunar Chronicles so incredibly unique. It explores themes of good vs evil, love, self-discovery, power, manipulation, strength and more. These books combine to make a fantastical adventure that one won’t be able to put down.
Why this book may not be right for your teen:
These novels do have some very violent scenes with some graphic detail. If one is bothered with blood, gore, or sickness, this may not be the best read. It is, however, very clean as far as language (occasional blasphemy and mild swear words) and sex (the prequel, Fairest, contains only a couple scenes that are sexual, but not graphic).
Literary artistry: * * * * *
I would suggest this book to younger teens / older teens / all teens / no teens.
Author Website: https://www.marissameyer.com/
Reviewer: Ceili Blomquist
See the content keys for an explanation of the numbers.
The Luxe, by Anna Godberson (The Luxe series, book 1)
*NYT Bestseller for series*
Core themes: forbidden love, forced futures, hidden struggles and hurts of the rich, importance and function of etiquette and appearance, duty before desire, the public nature of secret sins
Drugs/alcohol: common social drinking of champagne, Scotch, etc., by teen and adult characters alike (recall this is rich Victorian society, though); lead male character gets drunk; teen smoking
Religion/occult: a couple of references to church and the Christian thing to do in certain situations, but the faith displayed in the novel is nominal and cultural
Romance/sexuality: 1, 2
Violence/abuse: characters discuss how lead character was accidentally thrown into the river and probably drowned
Vulgarities: 1, 3, 5
Literary artistry: * * * * *
Comments: While this is admittedly mind candy of average literary quality, it’s the best kind of girly novel—the kind that you want to read curled up on the couch with a cozy blanket and chocolates. It is fun and light, yet somewhat complex, and it offers a glittering peek at the lives of the Victorian rich. Compared to some other YA novels I’ve read--especially its modern, disgusting counterpart, Gossip Girl--the author keeps controversial material to a minimum. On the other hand, the story itself is more adult than parents might like for their teens. Because of Victorian customs, the lead characters are teenagers but have already transitioned into the world of adults. There is a lot woven into the plot about marriage preparation, sexual awakening, themes of pain, desire, and loss, and the like. This isn't inappropriate for the story, but it may be for some teens.
I would suggest this book to younger teens / older teens / all teens / no teens.
Author website: none
Reviewer: Cheri Blomquist
*NYT Bestseller for series*
Core themes: forbidden love, forced futures, hidden struggles and hurts of the rich, importance and function of etiquette and appearance, duty before desire, the public nature of secret sins
Drugs/alcohol: common social drinking of champagne, Scotch, etc., by teen and adult characters alike (recall this is rich Victorian society, though); lead male character gets drunk; teen smoking
Religion/occult: a couple of references to church and the Christian thing to do in certain situations, but the faith displayed in the novel is nominal and cultural
Romance/sexuality: 1, 2
Violence/abuse: characters discuss how lead character was accidentally thrown into the river and probably drowned
Vulgarities: 1, 3, 5
Literary artistry: * * * * *
Comments: While this is admittedly mind candy of average literary quality, it’s the best kind of girly novel—the kind that you want to read curled up on the couch with a cozy blanket and chocolates. It is fun and light, yet somewhat complex, and it offers a glittering peek at the lives of the Victorian rich. Compared to some other YA novels I’ve read--especially its modern, disgusting counterpart, Gossip Girl--the author keeps controversial material to a minimum. On the other hand, the story itself is more adult than parents might like for their teens. Because of Victorian customs, the lead characters are teenagers but have already transitioned into the world of adults. There is a lot woven into the plot about marriage preparation, sexual awakening, themes of pain, desire, and loss, and the like. This isn't inappropriate for the story, but it may be for some teens.
I would suggest this book to younger teens / older teens / all teens / no teens.
Author website: none
Reviewer: Cheri Blomquist
The Lynburn Legacy series, by Sarah Rees Breenan
Please see the detailed review for Unspoken, book 1.
Addendum--notes on Untold (book 2):
Romance, action and supernatural powers are amped up in the sequel to Unspoken. After a major cliffhanger at the end of Unspoken, readers are not given a quick resolution in the first chapter, which gives this story a more authentic feel even if it is about sorcerers battling to control a small English village. Caught in the middle is Kami Glass, reporter-detective-heroine. Between trying to resolve the conflict in her village and her relationships with Jared and Ash, she is also counseling her friends about their romantic feelings. There are more passionate emotions and kissing in this story as the teens explore their romantic side. One instance of partial disrobing is cut short by a purposeful decision made by the participant. There is a continued lesbian/bisexual relationship storyline from the first story. In terms of the supernatural element, there are descriptions of a few ceremonies for power and how to repel spells. A few of the descriptions may be problematic for some readers as they are a little more occult-like/realistic. It should be noted however, that most of the time the sorcerers are considered lunatics and are not portrayed in a flattering light.
Please see the detailed review for Unspoken, book 1.
Addendum--notes on Untold (book 2):
Romance, action and supernatural powers are amped up in the sequel to Unspoken. After a major cliffhanger at the end of Unspoken, readers are not given a quick resolution in the first chapter, which gives this story a more authentic feel even if it is about sorcerers battling to control a small English village. Caught in the middle is Kami Glass, reporter-detective-heroine. Between trying to resolve the conflict in her village and her relationships with Jared and Ash, she is also counseling her friends about their romantic feelings. There are more passionate emotions and kissing in this story as the teens explore their romantic side. One instance of partial disrobing is cut short by a purposeful decision made by the participant. There is a continued lesbian/bisexual relationship storyline from the first story. In terms of the supernatural element, there are descriptions of a few ceremonies for power and how to repel spells. A few of the descriptions may be problematic for some readers as they are a little more occult-like/realistic. It should be noted however, that most of the time the sorcerers are considered lunatics and are not portrayed in a flattering light.
